2002
The Dayton Art Institute, Dayton, Ohio. Shimmering Madness, installation purchase and permanent installation.
Johnson Museum of Art, Cornell University, Ithaca, New York, Raining Popcorn installation, April 6-Aug. 11, 2002
B&D Gallery, Milan,Italy. Walking on Eggshells, installation and exhibition of photographs.March 22-May 25, 2002. Installation purchase by the Fondazione la Gaia, Busca, Italy
2001
Janet Borden Gallery, N.Y.C., Raining Popcorn installation and photograph,Oct. 17-Nov.24, 2001
Faulconer Gallery of Grinnell College, Grinnell, Iowa. Raining Popcorn installation and photograph commissioned by the Faulconer Gallery.
Smith College Museum of Art, Northampton, Mass., bathroom interior. Permanent installation with ceramic tiles and fixtures done in collaboration with the Kohler Art Center and Kohler Company, Sheboygan, Wisconsin.
Savannah College of Art and Design, Savannah, Georgia. Shimmering Madness Part of Contemporary Masters Series. Bergen Hall Gallery, January 20-March 17, 2001.
2000
American Craft Museum, New York, NY, Breathing Glass installation and photograph commissioned by the American Craft Museum. Scheduled to travel throughout the United States until 2005. Itinerary: The American Craft Museum: May 31- September 3, 2000. Fay Gold Gallery, Atlanta, Georgia: Oct.5 - Dec. 2, 2000. Memorial Art Gallery, Univ. of Rochester, Rochester, N.Y.: Feb. 16, 2002 - April 21, 2002. The Hunter Museum, Chattanooga, Tenn.: Dec. 2, 2002 - Feb.28, 2003. The Palm Springs Desert Museum, Palm Springs, Calif., Oct. 3, 2002 -Jan. 4, 2003.
Guy Bartschi Gallery, Geneva Switzerland. Solo Exhibition of photographs with catalogue. Essay by Phillipe Piguet. March2-May 12, 2000
Museo d'arte della Provincia di Nuoro, Sardinia, Italy. Solo Exhibition of photographs with catalogue. Essay and curated by Maurizio Sciaccaluga. July 27- September 10, 2000
Norton Museum, West Palm Beach, Florida, Sandy Skoglund: Solo Exhibition, installations of The Cocktail Party, Walking on Eggshells, and Shimmering Madness. Plus Photographc survey. April 1- June 11, 2000.
Indiana State University Art Gallery, Terre Haute, Indiana, survey of photographs, January 13- February 3, 2000.
1999
Elaine J. Jacob Gallery, Wayne State University, Detroit, Michigan, Misbehaving: Works from the Studio of Sandy Skoglund, photographs and sculpture, December 2- February 4, 1999.
Kendall College Art Gallery, Grand Rapids, Michigan, Selected Works, survey of photographs, Oct. 18- Nov. 24, 1999.
The Joslyn Art Museum, Omaha, Nebraska, Reality Under Siege, September 3- October 24, 1999.
Toledo Museum of Art, Toledo, Ohio, Reality Under Siege, February 14- May 2, 1999
The Liberty Museum, Philadelphia, Pennsylvania, Shimmering Madness permanent installation, installed July 1999.
Fay Gold Gallery, Atlanta, Georgia, Shimmering Madness installation. Also photographs and sculpture from Gathering Paradise, The Wedding, The Green House, Atomic Love, and Walking on Eggshells. March 9- May 15, 1999.
Janet Borden, Inc., New York, New York, Shimmering Madness installation, January- February 12, 1999.
1998
Columbia Museum of Art, Columbia, South Carolina, Reality Under Siege. October 12, 1998- January 3, 1999.
Rutgers University Robeson Gallery, Newark, New Jersey, Shimmering Madness installation, Oct. 8- Nov. 25, 1999.
Smith College Museum of Art, Northampton, Mass., Reality Under Siege, March 12- May 24, 1998. a solo retrospective consisting of four installation and photographs scheduled to travel to other venues listed above through 2000. Includes installations of The Cocktail Party, Revenge of the Goldfish, Fox Games and Walking on Eggshells, a photo-installtion commissioned by Smith College. Catalogue/book published by Harry N. Abrams, Inc.
1995
Huntington Museum of Art, Huntington, West Virginia. The Green House installation, Also:photographs and sculpture from In the Last Hour, Sept. 9-Oct. 29, 1995.
Ehlers Caudill Gallery, Ltd., Chicago, Illinois. The Subject of Food, Apr. 21-May 27, 1995.
Scottsdale Center for the Arts, Scottsdale, Arizona. The Cocktail Party installation, Also:photographs and sculpture from In the Last Hour, June 2-Aug. 20, 1995.
Museum of South Texas, Corpus Christi, Texas. Photographs and sculpture from In the Last Hour, Mar.-Apr. 1995.
Museumsverein Arolsen, Arolsen, Germany. Sandy Skoglund, retrospective of photographs, Feb.-Mar. 1995.
Galeria Spectrum, Zaragoza, Spain. Photographs, Feb. 24-Mar.22, 1995.
1994
Lakeview Museum, Peoria, Illinois. The Green House installation, Also: photographs and sculpture from In the Last Hour, Dec. 5, 1994-Jan. 29, 1995.
Janet Borden, Inc., N.Y., N.Y., The Wedding installation, Sept. 10-Oct. 22, 1994.
The Amarillo Art Museum, Amarillo, Texas. Photographs and sculpture from In the Last Hour,,Sept. 10-Nov. 6, 1994.
Allene Lapides Gallery, Santa Fe, New Mexico. The Cocktail Party installation, Apr. 15-Aug. 31, 1994.
Tarasona Photo Festival, Veruela Monastery, Tarasona, Spain. Photographs, July-Sept. 1994.
Columbus Museum of Art, Columbus, Ohio. The Wedding, an installation commissioned by the Columbus Museum of Art, Also: photographs and sculpture from In the Last Hour, Mar. 20-June 12, 1994.
Ulrich Museum, Wichita State University, Wichita, Kansas. The Cocktail Party installation, Also: photographs and sculpture from In the Last Hour, Jan. 21-Mar. 6, 1994.
1993
Manchester Craftsmen's Guild, Pittsburgh, Pennsylvania. The Cocktail Party installation, Nov. 8-Dec. 3, 1993.
The Morris Museum, Morristown, New Jersey. Photographs and sculpture from In the Last Hour, Oct. 3-Nov. 21, 1993.
Museum of Contemporary Art (CAPC), Bordeaux, France. Pour la Vie, Sept. 24-Oct. 24, 1993.
James Madison University, Harrisonburg, Virginia. A Breeze At Work installation, Sept. 25-Oct. 25, 1993.
Yvonamour Palix Espace d'Art, Paris, France. In the Last Hour, Sept. 16-Nov. 6, 1993.
Salama-Caro Gallery, London, England. Photographs, Sept. 14-Oct. 14, 1993.
Allene Lapides Gallery, Santa Fe, New Mexico. Photographs and Sculpture, Aug. 27-Oct. 2, 1993.
Southeastern Center for Contemporary Art, Winston-Salem, North Carolina. A Breeze At Work installation,July 23-Sept. 19, 1993.
Madison Art Center, Madison, Wisconsin. The Green House installation, June 26-Aug. 22, 1993.
Bernard Toale Gallery, Boston, Mass.The Cocktail Party installation and Body Limits installation, April 16-May 1, 1993.
Blue Star Artspace, San Antonio, Texas. A Breeze At Work installation and Gathering Paradise installation. Also: photographs and sculpture from In the Last Hour, Feb. 12-Apr. 14, 1993.
University of North Texas, Denton, Texas. The Green House installation, Feb. 8-Mar. 13, 1993.
Diverse Works, Houston, Texas. The Green House installation, Dec. 12, 1992-Jan. 16, 1993.
1992
Janet Borden, Inc., N.Y., N.Y. Three installations: Atomic Love, Body Limits, The Cocktail Party, Oct. 1-Oct. 31, 1992.
Fred Jones, Jr. Museum of Art, University of Oklahoma, Norman, Oklahoma. In the Last Hour: Sandy Skoglund: Photo/Sculpture, catalogue published by the University of Oklahoma Press with texts by Arlene Raven and Gloria Picazo. The University of Oklahoma is traveling this exhibit to venues listed above through 1995. Also: The Green House installation, Sept. 27-Nov. 8, 1992.
Aspen Art Museum, Aspen, Colorado. The Green House installation, June 25-Sept. 7, 1992.
Galerie zur Stockeregg, Zurich, Switzerland. Art Basel 23'92 mit Sandy Skoglund, June 17-June 22, 1992.
L'Espace Photographique de la Ville de Paris, Paris, France. Radioactive Cats installation and retrospective of photographs, June 10-Aug. 2, 1992. Catalogue.
Janet Borden, Inc., N.Y., N.Y. Food Still Life Series, May 15-June 19, 1992.
Fundacio "la Caixa", Sala Catalunya, Barcelona, Spain. Radioactive Cats installation and retrospective of photographs, Apr. 28-May 31, 1992. Catalogue with essay by Gloria Picazo.
The Lowe Art Museum, Coral Gables, Florida. The Green House installation, Apr. 9-May 24, 1992.
Gallery K, Washington, D.C. Photographs, Mar. 17-Apr. 11, 1992.
Fotoforum, Bremen, Germany. Radioactive Cats installation and retrospective of photographs, Feb.-Mar. 1992.
The Tampa Museum of Art, Tampa, Florida. The Green House installation, Jan. 19-Mar. 2, 1992.
Fotografie Forum Frankfurt, Frankfurt, Germany. Radioactive Cats installation and retrospective ofphotographs, Jan.-Feb. 1992.
1991
Hartford Art School, Harry Jack Gray Center, West Hartford, Connecticut. Gathering Paradise installation,Nov. 31, 1991-Jan. 10, 1992.
Kyle Roberts Gallery, San Francisco, California. Photographs, Sept. 2-Nov. 2, 1991.
Nikon Galerie, Zurich, Switzerland. Radioactive Cats installation and retrospective of photographs, Oct.-Nov., 1991.
Memphis Brooks Museum, Memphis, Tenn. The Green House installation, Sept. 13, 1991-Jan. 5, 1992.
P.P.O.W. Gallery, N.Y., N.Y. Gathering Paradise installation, Sept. 5-Sept. 28, 1991.
Staatsgalerie, Erlangen, Germany. Radioactive Cats installation and retrospective of photographs, Aug. 1-Sept. 5, 1991.
The Morgan Gallery, Kansas City, Missouri. The Green House installation, June 21-Aug. 31, 1991.
Ehlers Caudill Gallery, Chicago, Illinois. Photographs, April 1991.
Carl Solway Gallery, Cincinnati, Ohio. Gathering Paradise installation, June 7-July 31, 1991.
Fay Gold Gallery, Atlanta, Georgia. The Green House installation, Feb. 8-Mar. 6, 1991.
1990
Temple Gallery, Tyler School of Art, Philadelphia, Penn. The Green House installation, Nov. 16-Jan. 26, 1991.
Janet Borden, Inc., N.Y., N.Y. The Green House installation, Sept. 4-Sept. 29, 1990.
Parco Gallery, Tokyo, Japan. Radioactive Cats installation and retrospective of photographs, Aug. 3-22, 1990.
The Denver Art Museum, Denver, Colorado. Fox Games installation, June 2-Aug. 5, 1990.
George Eastman House, International Museum of Photography, Rochester, N.Y., True Fiction portfolio and Fox Games photograph, June 2-Aug. 5, 1990.
G.H. Dalsheimer Gallery, Baltimore, Maryland. The Green House installation, Apr. 28-June 16, 1990.
1989
Stephen Wirtz Gallery, San Francisco, California. Bronze Sculpture: A Breeze at Work and Photographs: 1980-1988,Feb. 28-Apr. 1, 1989.
Gallerie Urbi et Orbi, Paris, France. Oct. 14-Nov. 20, 1989.
1988
Hollins College, Roanoke, Virginia. Oct. 16-Nov. 11, 1988.
Damon Brandt Gallery, N.Y., N.Y. A Breeze At Work installation, Sept. 10-Oct. 1, 1988.
Lorence-Monk Gallery, N.Y., N.Y. Installation with still life sculptures, Sept. 17-Oct. 15, 1988.
1987
Real Art Ways, Hartford, Connecticut. True Fiction, Oct. 16-Nov. 7, 1987.
Fay Gold Gallery, Atlanta, Georgia. Oct. 9-Nov. 4, 1987.
Fahey/Klein Gallery, Los Angeles, California. Photographs, Aug. 11-Sept. 12, 1987.
Sharpe Gallery, N.Y., N.Y. Neo Auto installation, Jan. 11-Feb. 8, 1987.
Castelli Uptown Gallery, N.Y., N.Y. True Fiction, Jan. 9-Jan. 31, 1987.
1984
Galerie Watari, Tokyo, Japan. Apr. 13-May 4, 1984.
1983
Leo Castelli, N.Y., N.Y. Maybe Babies installation, Mar. 5-26, 1983.
Greenberg Gallery, St. Louis, Missouri. Maybe Babies installation.
1982
Minneapolis Institute of Art, Minneapolis, Minnesota. Revenge of the Goldfish and Radioactive Cats installations.
Wadsworth Atheneum, Hartford, Connecticut. Revenge of the Goldfish installation, part of theMatrix Series curated by Andrea Miller-Keller.
1981
Castelli Graphics, N.Y., N.Y. Revenge of the Goldfish installation, Jan. 6-31, 1981.
Addison Gallery of American Art, Andover, Massachusetts. Radioactive Cats installation.
Fort Worth Art Museum, Fort Worth, Texas. Revenge of the Goldfish installation, part of Focus series curated bySusan Freudenheim; Sept. 18-Oct. 18, 1981.
Greenberg Gallery, St. Louis, Missouri. Revenge of the Goldfish installation.
1980
Real Art Ways, Hartford, Connecticut. Radioactive Cats installation.
1979
University of Connecticut, Torrington, Connecticut.
1973
Joseloff Gallery, Hartford Art School, Hartford, Connecticut
2001
Working Here. Art at 111, Community Gallery, 111 First Street, Jersey City, New Jersey. Curated by William Rodwell. October 13, 2001 - November 11, 2001.
Rags to Riches. traveling exhibition of paper-based art sponsored and curated by Dieu Donne Papermill, N.Y.C. Itinerary: Kresge Art Museum, East Lansing, Michigan: Sept. 4-Oct. 28, 2001. Marianna Kistler Beach Museum of Art, Manhattan,Kansas: Apr. 2-June 30, 2002. Heckschler Museum of Art, Huntingdon, L.I., N.Y.: Nov. 23, 2002-Jan. 27, 2003.Milwaukee Art Museum, Milwaukee, Wisc.: Apr. 11-June 22,2003. Catalogue.
Is Seeing Believing? The North Carolina Museum of Art, Raleigh, N.C., Jan. 14-April 1, 2001. Catalogue.
2000
Environmentally Concerned. The Nathan Cummings Foundation. Curated by Karen E. Jones. Apr. 10-Sept. 15, 2000.
Cast of Characters. Albuquerque Museum, Albuquerque, New Mexico, a collection of contemporary cast sculpture. The Green House installation, January 23- March 26, 2000.
1999
Artificial Life. Consolidated Works, Seattle, Washington, Shimmering Madness installation and a survey of photographs, October 8- November 28, 1999.
Almost Warm and Fuzzy: Childhood and Contemporary Art. Des Moines Art Center, Des Moines, Iowa, September 12- November 21, 1999. Traveling exhibition through 2002 curated by Susan Lubowsky Talbott. Itinerary:Tacoma Art Museum, Tacoma, Wash.: July 8-Sept. 17, 2000. Scottsdale Museum of Art, Scottsdale, Ariz.: Oct. 6, 2000-Jan. 14, 2001. P.S.1 Contemp. Art Ctr., Long Island City, N.Y.: Fundacio "la Caixa", Barcelona, Spain: Apr. 26-July 8,2001. Crocker Art Museum, Sacramento, Calif.: Aug. 30-Nov. 4, 2001. Art Gallery of Hamilton, Hamilton, Ontario, Canada: Nov. 24, 2001-Jan. 20, 2002. Cleveland Ctr. Contemp. Art, Cleveland, Ohio: Sept. 6- Nov. 10, 2002.
Food for Thought, New Jersey Center for Visual Arts, Summit, New Jersey, April 1999.
1997
Making it Real, Spirituality in the Flesh and The Cocktail Party, Exhibition traveling 1997-98 to The Aldrich Museum of Contemporary Art, Ridgefield, Conn., The Reykjavak Municipal Art Museum, Reykjavik, Iceland, Portland Museum of Art, Portland, Maine, and the Bayly Art Museum, University of Virginia, Charlottesville, Virginia.
Telling Stories, The Jacksonville Museum of Contemporary Art, Jacksonville , Florida, April 1997.
1996
Photography in the 1990's. Wright State University, Dayton, Ohio. Curated by Ron Geibert, Feb. 11-Mar.17,1996.
1995
Work in Progress. Mississippi Museum of Art, Jackson, Mississippi. May 19-July 29, 1995.
Photography Today. Sonje Museum of Contemporary Art, Seoul, Korea. Mar. 31-May 31, 1995, catalogue.
L'Immagine Riflessa. Museo Pecci-Prato, Prato, Italy. Contemporary photography from the LAC Collection, Switzerland. Apr. 1-May 28, 1995. Curated with catalogue by A. Soldaini and P. Colombo.
An American Century of Photography, From Dry-plate to Digital. Exhibition traveling 1995-96 to International Center of Photography, New York, N.Y., Mead Art Museum, Amherst, Mass., Nelson-Atkins Museum of Art, Kansas City, Mo., and others. Works from the Hallmark Photographic Collection, curated with catalogue by Keith F. Davis.
1994
Around the House. Frumkin/Adams Gallery, 50 W. 57th St., N.Y., N.Y. June-July 1994.
La Chair Promise. Musee de l'Abbaye Sainte-Croix, Sainte-Croix, France. June 18-Sept. 30, 1994.
Babies and Bambies, Arti et Amicitiae, Amsterdam, Netherlands. Jan. 30-Feb. 27, 1994.
La Faune et la Flore. Mois de l'Image, Maison des Jeunes et de la Culture, Dieppe, France. Apr.6-May 7, 1994.
Testwall. TZ'ART & Co. Gallery, N.Y., N.Y. 3-dimensional multiples curated by B. Sahlman, Nov. 30, 1993-Jan. 15, 1994.
1993
From the Gallery to the Museum, Photographic Discoveries: Extracts of the Paris Audiovisuel Collection. The Grand Palais, Paris, France. Feb. 3-8, 1993.
Vivid: Intense Images by American Photographers. itinerary: Raab Galerie, Berlin, Germany; Raab Boukamel Galleries Ltd., London, England; Gian Ferrari Arte Contemporanea, Milano, Italy. 1993, curated by Victoria Espy Burns. Catalogue with essays by Saltz, Kirshner, and Hixson.
American-made: The New Still-Life. Isetan Museum of Art, Tokyo, Japan. June 3-June 15, 1993. Hokkaido Obihuro Museum of Art, Hokkaido, Japan. Nov. 13-Dec. 19, 1993. Curated by P. Carroll; Catalogue.
Sonsbeek 93. Arnhem, Netherlands. Gemeentemuseum, Arnhem, Netherlands. part of project by Mike Kelley. June 3-Sept. 26, 1993.
1992
Putt-Modernism. Artists Space, N.Y., N.Y. Aug. 1-Sept. 6. Curated by Ken Buhler. Scheduled to travel.
Installations & Constructions. Tavelli Williams Gallery, Aspen, Colorado. July 7-Aug. 1, 1993.
Arret sur Viaduc: Espace Art Defense, La Defense 4, Paris, France. June 25-Sept. 7, 1992. Curated by Alain Sayag.
Unclear and Present Danger. The National Arts Club, N.Y., N.Y. March 5-29, 1992.
Points of View-Photography Today. Champion Gallery, Stamford, Connecticut. Feb. 26-June 10, 1992.
1991
Investigations in Perception. Joseloff Gallery, University of Hartford, Hartford School of Art, West Hartford, Conn. Nov. 24, 1991-Jan. 10, 1992.
The Intuitive Eye: Photographs from the David C. and Sarajean Ruttenberg Collection:, The Art Institute of Chicago, Chicago, Illinois. Oct. 12, 1991-Jan 12, 1992.
Photography 1980-1990:. Ginny Williams Gallery, Denver, Colorado. June 7, 1991.
The American Scene: Contemporary Photographs. Rena Bransten Gallery, San Francisco, California. June 4-July 6, 1991.
Visions/Revisions,Selections from the Contemporary Collection. Denver Art Museum, Denver, Colorado. April 27-Aug. 25, 1991.
Fotografia Americana del Segle XX. Centre Cultural de la Fundacio la Caixa, Barcelona,Spain. April 16-May 26, 1991. Works from the permanent collection of The Center of Creative Photography, Univ. of Ariz., Tuscon, Arizona.Catalogue.
Lo Specchio/In/Fedele. Padiglione d' Arte Contemporanea di Milano, Milan, Italy. Feb. 14-March 10, 1991. Curated by Giuliana Scime. Catalogue.
1990
Constructed Reality. New Jersey Center for Visual Arts, Summit, New Jersey. April 8-May 20, 1990. Catalogue.
Biennale de Marseille. Musee de Marseille, Marseille, France. Curated by Bernard Millet, April-June 1990. Catalogue.
To Be And Not To Be. Centre d'Arte, Barcelona, Spain. April-May 1990. Curated by V. Altaio and C. Grande. Catalogue.
The Indomitable Spirit.. Sponsored by Photographers + Friends United Against AIDS. Itinerary: International Center of Photography, N.Y., N. Y.; Feb. 8-Apr. 17, 1990, The Los Angeles Municipal Art Gallery, Los Angeles, Calif.;
May 13-June 17, 1990. Traveling exhibition curated by Marvin Heiferman. Catalogue.
1989
L'Invention d'un Art..Centre Georges Pompidou, Paris, France. (150th anniversary of invention of photography) Fox Games installation created for this exhibition. Oct. 15, 1989-Jan. 1, 1990. Curated by Alain Sayag and Jean-Claude Lemagny. Catalogue published by Editions du Pompidou.
Constructed Realities. Munich Kunstverein, Munich, Germany. Traveled to: Kunsthalle Nurnberg, Germany; Oct.-Nov. 1989/Museum of Contemporary Art, Bremen, Germany; Feb.-Mar. 1990/ Kunsthalle Karlsruhe, Karlsruhe, Germany; July-Aug. 1990. Curated by Michael Kohler.
Made Not Taken, The Expansion of Photography. Marion Locks Gallery, Phila., Pa. July 10-Aug. 25, 1989.
Lines Of Vision:Drawings by Contemporary Women. Blum-HelmanWarehouse, N.Y., N.Y. July 6-Aug. 17, 1989.
Fantasies, Fables, and Fabrications. Herter Art Gallery, Univ. of Mass., Amherst, Mass. Itinerary: Delaware Art Museum, Wilmington, Delaware; May 12-July 2, 1989/Herter Art Gallery, Amherst, Mass.; Sept. 27-Nov. 3, 1989/ Lamont Phillips-Exeter Academy, Exeter, New Hampshire; Jan. 3-Feb. 4, 1990/Museum of Contemporary Art, Ostend, Belgium; June-Aug. 1990/Palazzo Mangarni, Florence, Italy; Sept. 1990/Museum of Contemp. Photography, Antwerp, Belgium; Nov.-Dec., 1990/Palace of Culture, Warsaw, Poland; Jan.-Feb. 1991. Curated by T. Richardson and M. Coblyn.
Suburban Home Life: Plotting the American Dream. Whitney Museum of American Art Downtown Branch, N.Y., N.Y. May 2-June 30, 1989, Whitney Museum of Art, Stamford, Connecticut; July 12-Sept. 6, 1988.
Fragments of History. The Albany Museum of Art, Albany, Georgia. July 21-Sept. 3, 1989 Catalogue with text by Peter Doroshenko.
The Photography of Invention: American Pictures of the Eighties. National Museum of American Art of the Smithsonian Institution, Wash., D.C. Apr. 28-Sept. 10, 1989. Itinerary: Museum of Contemporary Art, Chicago, Ill., Nov. 4, 1989-Jan. 28, 1990/The Walker Art Center, Minneapolis, Minn., June 10-Aug. 26, 1990. Curated by Joshua Smith. Catalogue with essay by J. Smith.
Artists of the 80's: Selected Works from the Maslow Collection. Sordoni Art Gallery, Wilkes College, Wilkes-Barre, Penn. Apr. 9-May 7, 1989. Catalogue.
Fictive Strategies. Squibb Gallery, Princeton, New Jersey. Feb. 26-Apr. 2, 1989. Curated by Joseph Rauch Smoke.
Making Their Mark: Women Artists Move Into The Mainstream: 1970-85. Itinerary: Cincinnati Art Museum, Cincinatti, Ohio, Feb. 22-Apr. 2, 1989/New Orleans Museum of Art, New Orleans, Louisiana; May 6-June 18, 1989/Denver Art Museum, Denver, Colo., July 15-Sept. 10, 1989/Penn. Academy of Fine Arts, Philadelphia, Penn.;Oct. 18-Jan. 3, 1990. Curated by Catherine Coleman Brawer and Randy Rosen. Catalogue.
Science Projects. Lafayette College, Easton, Penn. Feb. 15-Mar. 31, 1989.Curated by J. Borden.
Decade by Decade. Center for Creative Photography, The Univ. of Arizona, Tucson, Ariz. Feb. 10-June 9, 1989.
Art of the 80's, From the Collection of Chemical Bank. The Montclair Art Museum, Montclair, N. J. Jan. 29-April 9, 1989. Curated by Janice C. Oresman.
Visiting Artists. Meyerhoff Gallery, Maryland Institute of Art, Baltimore, Md. Jan.-Feb. 1989.
Photography Expanded. G.H. Dalsheimer Gallery, Baltimore, Md. Jan. 16-Feb. 25, 1989
Women of Photography. Zur Stockeregg Galerie fur Kunstphotographie, Zurich, Switzerland. Jan.-Feb. 1989.
The Liberated Image: Fabricated Photography Since 1970. Tampa Museum of Art, Tampa, Florida. Selections from the permanent collection; curated by Genevieve Linnehan.
Lifelike. Lorence-Monk Gallery, N.Y., N.Y. June 4-June 25,1989. Curated by Marvin Heiferman.
1988
The Nature of Things. Cydney Payton Gallery, Denver, Colo. Nov. 4-Dec. 9, 1988.
Forecasts. Nerlino Gallery, Inc., N.Y., N.Y. Sept. 24 -Oct. 25, 1988. Catalogue
Objects. Lorence-Monk Gallery, N.Y., N.Y. July 7-July 29, 1988.
Photography on the Edge. The Haggarty Museum of Art, Marquette University, Milwaukee, Wisconsin. March 24-June 8, 1988.
Fabricated Photographs. The Carpenter Center, Harvard University, Cambridge, Mass. Mar. 3-Apr. 10, 1988. Curated by Anne H. Hoy in conjunction with her book, Fabrications, pub. by Abbeville Press, N.Y., N.Y. 1987.
Fifty Years of Modern Color Photography 1936-1986. Photokina, Cologne, West Germany. Sept.-Oct. 1988. Catalogue published as a book:Modern Color Photography. Curated by Manfred Heiting.
Perceptual Subversion. Bruno Facchetti Gallery, N.Y., N.Y. Feb. 6-Mar 2, 1988.
1987
Cross-References: Sculpture into Photography. The Walker Art Center, Minneapolis, Minn. Sept. 26-Dec. 13, 1987; Curated by Marge Goldwater, Adam Weinberg and Liz Armstrong. Traveled to the Museum of Contemporary Art, Chicago, Illinois. Catalogue.
Greater Than or Equal to 30" x 40": Large Format Photography. Jayne H. Baum Gallery, N.Y., N.Y. Mar. 19-Apr.18, 1987.
This Is Not A Photograph: Twenty Years of Large Scale Photography, 1966-1986. The John and Mable Ringling Museum of Art, Sarasota, Florida. Mar. 6-May 31, 1987. Itinerary: Akron Art Museum, Akron, Ohio:Oct. 31-Jan. 1988/The Chrysler Museum, Detroit, Mich.:Feb. 12-April 12, 1988. Curated by Joseph Jacobs. Catalogue.
Arrangements for the Camera: A View of Contemporary Photography. Baltimore Museum of Art, Baltimore, Md. Feb. 10-Apr. 19, 1987. Curated by Janice Howard.
Photography and Art, 1946-86. organized by The Los Angeles County Museum of Art, Los Angeles, Calif. and The Museum of Art, Ft Lauderdale, Florida. Curated by Kathleen Gauss and Andy Grundberg. Catalogue with text by Gauss and Grundberg.
1986
Theatre des Realites. Metz Pour la Photographie, Metz-Marly, France, March 1986/ Palais de Tokyo, Paris, France, Oct. 1986. Catalog with essays by Lacoue-Labarthe, Roegiers, and Meatyard.
Disarming Images: Art for Nuclear Disarmament. Bronx Museum of the Arts, N.Y., N.Y. Sept. 13-Nov. 23, 1986.
The Magic of the Image: From the Permanent Collection. Museum of Contemporary Art, Montreal, Canada. June 1-Aug. 31, 1986. Catalogue with text by Paulette Gagnon.
Short Stories. One Penn Plaza, N.Y., N.Y. Curated by Judd Tully, May 19-Sept. 5, 1986.
Contemporary Issues III. Holman Hall Art Gallery, Trenton State College, Trenton, N.J. (works from the collection of Robert and Nancy Kaye) Apr. 2-23, 1986. Catalogue.
Psychodrama Restructured. Philadelphia Art Alliance, Philadelphia, Penn. Curated by Saul Ostrow.
Figuration: A Project of the Associate Council. The Museum of Modern Art, N.Y., N.Y. for the AmericanExpress Corporation.
1985
Correspondences, New York Art Now. Itinerary: Laforet Museum Harajuko, Tokyo, Japan: Dec. 20,1985-Jan. 19, 1986/Tochigi Prefectural Museum of Fine Arts, Utsunomiya, Japan: Feb. 8-March 23, 1986. Curated by Nicolas Moufarrege. Catalogue with text by Moufarrege and Alan Jones.
Group Show. Myers/Kent Galleries, State Univ. of New York at Plattsbugh, Plattsburgh, N. Y. Sept. 25-Oct. 30, 1985.
Two Photographers: Skoglund and Pfahl. Museum of Art, Science and Industry, Bridgeport, Conn. May-Aug. 1985.
Photographic Fictions. Whitney Museum of American Art, Stamford, Connecticut. Curated by Roni Feinstein.
Illuminating Color: Four Approaches in Contemporary Painting and Photography.Pratt Institute Gallery, Brooklyn, N.Y. Curated by Nina Prantis. Held in conjunction with conference on color.
Still Life in Photography. Rotterdam Arts Council, Rotterdam, the Netherlands. Mar. 30- June 30, 1985.
Real Surreal. Lorence Monk Gallery, N.Y., N.Y. May 1985.
1984
Sculpture from Rutgers. Robeson Center Gallery, Rutgers University, Newark, N.J. Nov. 29-Dec. 21, 1984.
New Drawings by Castelli Artists. Castelli Uptown Gallery, N.Y.,N.Y. Oct. 13-Nov. 3. 1984.
America: Faces and Places. Liberty House, Honolulu, Hawaii. Sept. 9-22, 1984. Curated by Marvin Heiferman.
Large Scale Photography. Dart Gallery, Chicago, Illinois. Sept. 14-Oct. 10, 1984.
The Contemporary Photograph 1980's, Toward a New Development. Fakuoka Art Museum, Japan. Catalogue.
Disarming Images, Art as Social Conscience. Itinerary: Cincinatti Center of Contemporary Art, Cincinnati, Ohio./University Art Gallery, San Diego State University, San Diego, California/ Museum of Art,Washington State University, Pullman, Wash./N.Y. State Museum, Albany, N.Y./University Art Museum, Univ.of Calif., Santa Barbara, Calif./Munson-Williams-Proctor Institute, Utica, N.Y./Allen Memorial Art Museum,Oberlin College, Oberlin, Ohio/Baxter Art Gallery, Calif. Institute of Technology, Pasadena, Calif./Yellowstone ArtCenter, Billings, Montana. Curated by Nina Felshin. Catalogue with essay by Nina Felshin.
Visions of Childhood: A Contemporary Iconography. Whitney Mus. of American Art, DowntownBranch, N.Y., N.Y.
Castelli Graphics Fifteenth Anniversary Exhibition. Castelli Graphics, N.Y.,N.Y. Mar. 10-31, 1984.
Art at Federal Hall National Memorial. N.Y., N.Y. Mar. 28-May 11, 1984.
Photographic Narration. The Rotunda Gallery, Brooklyn, N.Y. Apr. 5-May 5, 1984.
Group Show. The Texas Gallery, Houston, Texas. Sept. 5-Oct. 31, 1984.
1983
Images Fabriquees. Gallerie Viviane Esders, Centre Georges Pompidou, Paris, France. Dec. 10, 1983-Jan. 17, 1984.
Arranged Image Photography. Itinerary: Boise Gallery of Art, Boise, Idaho: Oct. 1-Nov. 6, 1983/Cheney Cowles Memorial Art Mus., Spokane, Wash./Yellowstone Art Ctr., Billings, Montana. Curated by SandyHarthorn. Catalogue.
Invention and Allegory. Daniel Wolf Gallery, N.Y., N.Y. Sept. 8-Oct.1, 1983.
Photography in America: 1910 to present. The Tampa Museum of Art, Tampa, Florida. Sept.4-Nov. 6, 1983.Curated and catalogue essay by Julie M. Saul.
Figurative Contexts. Turman Gallery, Indiana State Unversity, Terre Haute, Indiana. Sept. 3-Oct. 2, 1983.Catalogue by Frances Lattanzio and Bert Brouwer.
Reordered Realities:The Photograph as Fiction. The Portsmouth Museum, Portsmouth,Va. Mar.-April 1983.
New Talent/New York: Itinerary during 1983-84: Sioux City Art Center, Sioux City, Iowa/ University of Wisconsin, Stout, Wisc./Univ. of Northern Iowa, Cedar Falls, Iowa/Fort Hays Kansas State College, Fort Hays, Kansas/Univ. of Wisconsin, Green Bay, Wisc. Curated by Tom Butler.Catalogue with essays by Lisa Liebmann and Tom Butler.
Anxious Interiors. Itinerary during 1983-84: Laguna Beach Museum of Art, Laguna Beach, Calif./Alaska State Museum, Juneau, Alaska/Alaska Association for the Arts, Fairbanks, Alaska/Visual Arts Center of Alaska, Anchorage, Alaska/Banff Center for the Arts, Banff, Alberta, Canada/TheVisual Arts Gallery, Florida International University, Miami, Fla./Univ. of South Florida, Tampa,Florida/Munson-Williams-Proctor Institute, Utica, N.Y. Curated by Elaine Dines. Catalogue with essay by Dines, published by Laguna Beach Museum of Art.
Art As Social Conscience. Edith C. Blum Art Institute, Bard College, Vt. Curated by Linda Weintraub.
Drawings/Photographs. Leo Castelli Gallery, N.Y., N.Y.
Habitats. The Clocktower, N.Y., N.Y.
Illuminations. Freeport-McMoran, Inc., exhibit through the M.O.M.A. Lending Service.
New Work New York. Newcastle Polytechnic Gallery, N.Y. Curated by Ellen Price. Catalogue.
Photography:The Constructed Image. The Castel Gallery, The College of New Rochelle, New Rochelle, N.Y. Curated by Barbara Lipton and Robert Worth.
Phototypes:The Development of Photography in New York City. Whitney Museum of American Art, Downtown Branch, N.Y., N.Y. Catalogue with essays by Walsh, Baker, and Dowd.
The Print Club. Philadelphia, Pennsylvania.
Re-Ordered Realities:The Photograph as Fiction. Portsmouth Community Arts Center,Portsmouth, Virginia.
Sculpture Now: Recent Figurative Works. Institute of Contemporary Art of the Virginia Museum, Richmond, Virginia. Curated by Julia Boyd.
Three Dimensional Photographs. Castelli Graphics, N.Y., N.Y. Itinerary: Fraenkel Gallery and Grapestake Gallery,
San Francisco, Calif.; Hermann Wunsche Gallery, Bonn, West Germany.
Staged Photo Events. organized by Rotterdam Arts Council, Lijnbaancenter, Rotterdam, The Netherlands. Itinerary:Neue Galerie-Sammlung Ludwig, Aachen, The Netherlands: Dec. 1982/ Municipal Van Reekum Museum, Apeldoorn,The Netherlands: Jan. 1983/Antwerp Museum of Modern Art, Antwerp, The Netherlands: April-May 1983.
New New York Generation. Origrafica, Malmo, Sweden. Oct. 16-Nov. 27, 1983.
1982
Color As Form, A History of Color Photography. Organized by the International Museum of Photography,George Eastman House, Rochester, N.Y. July 2-Sept. 5, 1982. Traveled to: Corcoran Gallery of Art, Wash., D.C.Apr. 10-May 6, 1982. Catalogue.
Points of View. Fred Jones Jr. Museum of Art, U. of Oklahoma, Norman, Okla. Jan. 17-Feb. 21, 1982. Catalogue.
Inside Spaces. Dancer Fitzgerald Sample, Inc., exhibit through the M.O.M.A. Lending Service.
Beyond Photography:The Fabricated Image. Delahunty Gallery, N.Y., N.Y.
The Atomic Salon. Ronald Feldman Gallery, N.Y., N.Y.
Artist's Photographs. Fine Arts Gallery, University of South Florida, Tampa, Florida.
1981
New American Color Photography. Institute of Contemporary Art, London, England. Nov. 8-Sept. 25, 1981.
Staged Shots. Delahunty Gallery, Dallas, Texas. Apr. 11-May 6 1981.
Animals in the Arsenal. Department of Parks and Recreation, The Arsenal Gallery, N.Y., N.Y. Curated with catalogueby Angela Fremont and Betty Tompkins.
Coastal Currents. A California/New York Exhibition by South Texas Artmobile. Catalogue.
New American Art. Gotesbourg Art Museum, Gotesbourg, Sweden.
The New Color. Everson Museum of Art, Syracuse, New York. Itinerary: International Center of Photography, N.Y., N.Y./Columbus Museum of Art, Columbus, Oh./Gibbes Art Gallery, Charleston, So. Carolina/Art Gallery ofHamilton, Ontario, Canada. Curated by Sally Eauclaire, based on her book, The New Color , pub. by AbbevillePress, N.Y., N.Y.1981.
Photography:A Personal View. Morris Museum of Arts and Sciences, Morristown, N.J.
Schemes:A Decade of Installation Drawing. Elise Meyer Gallery, N.Y., N.Y. Itinerary: Emily Lowe Gallery,Hofstra Univ./Musee d'Art Contemporain, Cite du Havre, Montreal, Canada/Le High Univ. Art Galleries, Bethlehem,Penn. Curated by Shelley Rice.
Whitney Biennial. Whitney Museum of American Art, N.Y., N.Y.
1980
Contemporary Photographs. Fogg Art Museum, Harvard Univ., Boston, Mass.
Group Show. CEPA Workshop and Gallery, Buffalo, N.Y. Oct. 18-Nov. 24, 1980.
Group Show. Texas Gallery, Houston, Texas. July 1980. Curated by Marvin Heiferman.
Likely Stories. Castelli Graphics, N.Y.,N.Y. July 7-Sept. 13, 1980.
Interiors. Barbara Gladstone Gallery, N.Y., N.Y.
1979
Pictures: Photographs. Castelli Graphics, N.Y., N.Y. June 23-July 27, 1979.
1978
Drawings II. Touchstone Gallery, N.Y., N.Y.
1977
Invitational. 55 Mercer Gallery, N.Y., N.Y.
BACK TO TOP2001
Yet to be updated
2000
Yet to be updated
1999
BALZANI, Elena. I set fotographia di Sandy Skoglund, Corriere dell'Arte, Milan, Italy, February 20, 1999.
BISCHOFF, Dan. A Matter of Taste, Sunday Star Ledger, New Jersey, April 4, 1999.
BYRD, Cathy. Shimmering Skoglund, Creative Loafing, Vol. 7 No. 46, Atlanta, Georgia, April 3, 1999.
CULLUM, Jerry. Skoglund's Room-Sized "Madness" Shimmers with Sensory Overload, The Atlanta Journal Contitution, Atlanta, Georgia, April 9, 1999.
CULLUM, Jerry. Cohesiveness Counts for a Lot, The Atlanta Journal Constitution, Atlanta, Ga, August, 27, 1999.
DAVIS, Keith F. An American Century of Photography: From Dry Plate to Digital, Second edition, revised and enlarged, book published by Hallmark Cards, Inc., Kansas City, Missouri, in association with Harry N. Abrams, 1999.
Editors. Male/Female, Aperture., New York, NY, No. 156, Summer 1999.
Editors. L'Acida Sandy Skoglund; Glamour Magazine (in Italian), N. 84, Italy, Februray 1999.
Editors. Sandy Skoglund; Tema Celeste: Arte Contemporanea, Italy, 1999.
GLEICK, James. Seeing Faster, The New York Times Magazine, Millenium Special Edition, N.Y., N.Y., September 1999.
GREEN, Roger. Get Surreal, The Ann Arbor News, Ann Arbor, Michigan, March 13, 1999.
JOHNSON, Ken. Sandy Skoglund: 'Shimmering Madness', The New York Times, N.Y., N.Y., January 22, 1999.
JOHNSON, Ken. Works on Paper, The New York Times, N.Y., N.Y., March 5, 1999.
KLINE, Christina. Wryly Wit and Shocking Humor, Atlanta Press, Atlanta, Georgia, March, 1999.
LOKE, Margaret. Sandy Skoglund, ARTnews Magazine, N.Y., N.Y., April 1999.
MACCASH, Douglas. Jellybean Dreams: Tableau photos turn reality inside out, The Times Picayune Newspaper, New Orleans, Louisiana, September 24, 1999.
MCDARRAH, Gloria, Fred and Timothy. The Photography Encyclopedia, Schirmer Books, N.Y., N.Y., 1999.
MACMILLAN, John. Reality's Rebel, Smith Alumnae Quarterly, Northampton, Mass., Winter 1998-99.
MCSPADDEN, Marsha. Week at a Glance: Visual Arts, Creative Loafing, Vol 27, No. 44, Atlanta, Ga., March 20, 1999.
MINDLIN, Bill. About the Cover, Photography in New York International, N.Y., N.Y., January/February 1999.
RAMOS, Steve. Arts Beat, Cincinnati City Beat, Cincinnati, Ohio, March 4-10, 1999.
RUSH, Michael. Sandy Skoglund: 'Shimmering Madness', Review: The Critical State of Visual Art in New York, N.Y., N.Y., February 1, 1999.
SCIME, Giuliana. Il Racconti Ironici di Sandy Skoglund, Corriere della Sera, Italy, April 4, 1999.
SCOTT, Rebekah. Twisted Reality, The Blade, Toledo, Ohio, February 7, 1999.
STERLING, Susan Fisher. The Defining Eye of Helen Kornblum, Women in the Arts Quarterly, The National Museum of Women in the Arts, Washington, DC, Vol. XVII, No. 3, Fall 1999.
VALDEZ, Sarah. Sandy Skoglund at Janet Borden, Art in America, New York, NY, October, 1999.
1998
BAYLISS, Sarah. The Fertility Den, World Art Magazine, Issue 17, published by G + B Arts International,1998.
BEAUMONT, Kathryn. Sandy Skoglund's Redecorated Worls, Photomarket Magazine, N.Y., N.Y., January 1998.
DANZIS, Steve F. Behind the Lions: A Family Guide to the AIC, The Art Institute of Chicago, 1998.
Editors. Ordinary Life Gone Awry, The Chronicle of Higher Education, April 3, 1998,
Editors. Mom, Dad, There's Nothing to Do!, The Cincinnati Enquirer, Cincinnati, Ohio, July 31, 1998.
Editors. Sandy Skoglund: Reality Under Siege, Times Literary Supplement (UK), London, England, April 17, 1998.
Editors. Sandy Skoglund: Reality Under Siege, Times Literary Supplement (UK), London, England, June 26, 1998.
FINDSEN, Owen. Reality's Rebel, The Cincinnati Enquirer, Cincinnati, Ohio, June 28, 1998.
GLUECK, Grace. Unsettling Fantasies that Comment on Popular Culture, The New York Times, N.Y., May 1, 1998.
HARMON, Ben. The Things of hte World Fight Back, Bay Windows, Massachusetts, May 14, 1998.
HINSHAW, Dawn. A Vision in Unreality, The State, Columbia, South Carolina, October 11, 1998.
HINSON, Tom E. Cleveland Collects: Contemporary Art, The Cleveland Museum of Art, Cleveland, Ohio, 1998.
MCQUAID, Cate. A World Ruled by Unhealthy Appetites, The Boston Globe, Boston, Mass., May 14, 1998.
MOORE, Angela. Reality Under Siege: A Retrospective, a book review in Cover Magazine, N.Y., N.Y., May 1998.
NELSON, Shawn. Sandy Skoglund Challenges Reality at the Columbia Art Museum, Ticket, Columbia, South Carolina, October 29, 1998.
PAPARONI, Demetrio. Sandy Skoglund, Tema Celeste: Arte Contemporanea, Italy, July- September 1998.
RUSSEL, Gloria. An Uneasy Universe, Sunday Republican, Massachusetts, March 8, 1998.
SCHWABSKY, Barry. Art Reviews: Sandy Skoglund: 'Shimmering Madness', The New York Times, N.Y., N.Y., November 1, 1998.
SUTHERLAND, Amy. Reality Click, Maine Sunday Telegram, Portland, Maine, January 11, 1998.
STEIN, Jerry. Reality Runs Amok, The Cincinnati Post, Cincinnati, Ohio, June 30, 1998.
TARLOW, Lois. Profile: Sandy Skoglund, Art New England Magazine, Brighton, Mass., October/ November 1998.
TYNES, Teri. Sandy Skoglund and "Stuff", Free Times, Columbia, South Carolina, October 14-20, 1998.
1997
Editors. Making it Real; Review, New York, NY, Februrary 1997.
KARABINIS, Paul. Telling Stories, catalogue for group exhibit published by The Jacksonville Museum of Contemporary Art, Jacksonville, Florida, April 1997.
MUNIZ, Vic. Making it Real, catalogue for group exhibit published by Independent Curators Inc., N.Y., N.Y., 1997.
PAPARONI, Demetrio. Il Sacro Fuoco dell'Indentita (The Holy Fire of Identity), Tema Celeste: Arte Contemporanea, Italy, October-December 1997.
1995
BARRETT, Terry. Criticizing Photographs, second edition, college text pub. by Mayfield Publishing Co.,
Mountainview, Calif., 1995.
BAURET, Gabriel, and AMBROSINI, Isabelle. The Eighties, book pub. by Editions du Regard, Paris, France. Oct. 1995.
CONTRADA, Fred. Giant Babies Invade College Pond: Smith College Amumna Exhibits Apocalyptic Work, Hampshire Union-News, Northampton, Mass., Mar. 29, 1995.
DAVIS, Keith. An American Century of Photography, from Dry-Plate to Digital, catalogue for exhibition pub. as book by Hallmark Cards, Inc., with Harry N. Abrams, Inc., N.Y., N.Y., 1995, pp. 310,362,414,422.
Editors. Art Babies, Daily Hampshire Gazette, Northampton, Mass., Mar. 29, 1995, p.1 & p.3.
Editors. La Cultura, El Pais, Madrid, Spain, Feb. 12, 1995, p.34.
Editors. Dreams, Life Magazine, N.Y., N.Y., Sept. 1995, pp.40-41.
Editors. Light Impressions, cover (Revenge of the Goldfish) for catalogue pub. by Light Impressions, Inc.,
Rochester, New York. Winter-Spring issue 1995.
Editors. Light Impressions, cover (Fox Games) for catalogue pub. by Light Impressions, Inc., Rochester, New York.
Fall-Winter issue 1995.
Editors. Literary Connections, Video disc for high school students, pub. by McDougal, Littell & Co.,
Evanston, Illinois, 1995.
Editors. Calendar. Museum News Magazine, Jan./Feb. 1995, p.16 & 17.
Editors. Reviews, compiled German press from solo exhibit at Schloss Arolsen, Arolsen,Germany, Jan.-Feb.1995.
Editors. Reviews, compiled press from Work in Progress at Mississippi Museum of Art, Jackson, Mississippi, Apr.-May 1995.
ESDERS, Viviane. Portraits of My Mother, catalogue for exhibition pub. as book by Stewart, Tabori and Chang, Inc., N.Y., N.Y. 1995.
FICHNER-RATHUS, Lois. Understanding Art, Fourth Edition, textbook pub.by Prentice-Hall, College Archives,
Stamford, Conn., 1995, pp.184-185,529.
FLOYD, Nell Luter. In Progress, The Clarion-Ledger, Jackson, Miss., June 18, 1995, p.1F & 2F.
GOLDBERGER, Corine. Bureaux: la guerre de l'espace, Biba, Paris, France, Jan. 1995.
HURWITZ, Al and DAY, Michael. Children and Their Art, book pub. by Harcourt Brace & Co., Ft. Worth,Texas, 1995.
ILLES, Vera. Tussen horrer en humor, Elsevier, The Netherlands, May 1995, p.91.
KIM, Sun Jung. Photography Today, catalogue for exhibition, pub. by Sonje Museum of Contemporary Art,
Seoul, Korea.
KOETZLE, Michael. Inszenierte Traume, Max Magazine, Germany, Feb. 1995, pp. 230-237.
BUSER, Thomas. Experiencing Art Around Us, textbook pub. by West Educational Publishing, St. Paul, Minnesota, Fall 1994.
RAUSCH, Gary. Food For Art, Scottsdale Life, Scottsdale, Arizona, June 1, 1995, p.19.
SOLDAINI, Antonella, and COLOMBO, Paolo. L'Immagine Riflessa, a selection of contemporary photography from the LAC Collection, Baroness Marion Lambert, Geneva, Switzerland; catalogue for exhibition pub. by Centro per l'Arte Contemporanea Luigi Pecci and Museo d'arte Contemporanea Prato, Italy, April 1995.
TIBBETTS, John C. Framing a Century of American Change, Christian Science Monitor, Jan. 18, 1995, p.12.
VALICOURT, Benedicte. Naissance sur Ordonnance, Biba Magazine, Feb. 1995, pp. 110-111.
WATTS, James D. Crunch Time, Tulsa World, Mar. 3, 1995, p.1E & 4E.
ZELANSKI, Paul and FISHER, Mary Pat. Shaping Space, textbook pub. by Harcourt Brace College Publishers,
Ft. Worth, Texas, 1995.
1994
CAMPBELL, Darlyn. Fun With Photography, Ohio Magazine, April 1994, p.91.
CHARBONNIER, Jean-Michel. Les Revelations de la Fiac '94, Beaux Arts Magazine, Fall 1994.
Editors. Sandy Skoglund at l'Espace d'Art Yvonamour Palix/ARCO, Art Fair Magazine, Winter 1994,vol.2,no.3,p.12.
Editors. (C.K.) Sandy Skoglund at Janet Border, Art News Magazine, Dec. 1994.
Editors. Calendar, Art Now/Art Fair Magazine, winter 1994, pp. 22-23.
Editors. New Acquisitions, At the Museum of the Los Angeles County Museum of Art, Apr. 1994, p. 5.
Editors. Sandy Skoglund at Galerie Yvonamour Palix, Beaux Arts Magazine, Spain, 1994, p.31.
Editors. Art Reviews:Janet Borden Gallery, The Daily News, N.Y., N.Y., Sept. 17, 1994.
Editors. A Party Like None You've Ever Seen, Inside WSU, Wichita, Kansas, Jan. 19, 1994, p.8.
Editors. (P.V.) Sous le signe de la Faune et de la Flore: Sandy Skoglund, Les Informations Dieppoises, Apr. 15, 1994.
Editors. Art, The New Yorker, commissioned self-portrait for the magazine, Oct. 3, 1994, p.26.
Editors. Sandy Skoglund, The New Yorker , Sept. 19, 1994.
Editors. Dream Weavers, The Other Paper, Columbus, Ohio, Mar. 24-30, 1994, p.11.
Editors (A.C.). Mois de l'Image: du gros plan au tableau politique, Paris-Normandie, Apr. 11, 1994.
Editors. Eating Through Literature, Sun and Moon Press, Los Angeles, Calif., fall 1994.
Editors. Edible Art, Sunflower, Wichita State University, Jan. 21, 1994.
Editors. Foxy, Sunflower, Wichita State University, Jan. 19, 1994, p.2.
Editors. Reviews, compiled French press from FIAC '94, Sept.-Oct. 1994.
Editors. Reviews, compiled French press from group exhibit Flore et Faune, Dieppe, France, Apr.-May 1994.
ENTREKIN, Millie. In the Last Hour, Columbus Alive, Columbus, Ohio, Mar. 30- Apr. 6, 1994.
FERAN, Tim. The Arts: A Moment in Jam, The Columbus Dispatch, Columbus, Ohio, Mar. 24, 1994.
FOLKERSMA, Nina, REIJNDERS, Frank, COELEWI, Leontine. Babies & Bambies, catalogue for exhibition pub. by Arti et Amicitiae, Amsterdam, The Netherlands, 1994.
HAGEN, Charles. Art Review: Around the House, The New York Times, Aug. 5, 1994, p.C19.
HAGEN, Charles. Art Review: Sandy Skoglund at Janet Borden Gallery, The New York Times, Sept. 23, 1994.
HUSER, France. Les Clins d'Oeil de la Fiac, Le Nouvel Observateur, Paris, France, Oct. 1994, p.112.
KEERAN, James. Sandy Skoglund, The Pantagraph, Normal, Ill.,Dec. 9, 1994, p.B1 & B11.
KENYON, Theo Jean. The Green House Arrives at Lakeview, The Journal Star, Peoria, Ill., Dec. 2, 1994, p.B1 & B2.
LEWIS, Diane. Skoglund Works Explore Bizarre, The Wichita Eagle, Jan. 21, 1994, cover of sec.E and p. 3E.
LONDON, Barbara and UPTON, John. Photography: fifth edition, textbook pub. by Harper Collins College Publishers, N.Y., N.Y., p. 398, 1994.
LYONS, Channy. Beyond Blue Dogs:Artist Studies Culture From One Step Back, The Observer, Peoria, Ill.,Dec. 14, 1994, p.A-16.
MECHSNER, Franz. Geschichten aus der Nacht, Geo Magazine, no.2, Feb. 1994, pp.4 and 16-21. Reprinted inGeo Korea no.4, 1994.
PALIX, Yvonamour. Foto-Ficcion: Sandy Skoglund, Tarazonafoto 1994, catalogue for exhib., Tarazona, Spain, 1994.
RADZIEWSKY, Dr. Elke. Sandy Skoglund, Architektur & Wohnen Magazine, Hamburg, Germany, July 1994.
RAGANS, Rosalind. Art Talk, textbook pub. by Glencoe of Macmillan/McGraw-Hill, Mission Hills, Calif.,Spring 1994.
ROSENBLUM, Naomi. A History of Women Photographers, book pub. by Abbeville Press, N.Y.C., Fall 1994, pp.34,248,290,321,345,355.
TURNER, Tracy Zollinger. The Art of Total Control, The Columbus Guardian, May 11, 1994.
VALLONGO, Sally. Columbus Exhibits, The Toledo Blade, Toledo, Ohio, Mar. 27, 1994.
WALLACH, Amei. Rooms With Views, New York Newsday, N.Y., N.Y., Oct. 14, 1994, p.B4,B5.
WOLF, Sylvia. Focus:Five Women Photographers, book pub. by Albert Whitman & Co., Morton Grove, Ill.,pp. 38-49 and cover.
YOE, Craig. The Art of Barbie, book pub. by Mattel Toys and Workman Publishing as a donation to the Foundationfor Children Affected by AIDS, Sept. 1994, pp.29,119.
1993
ALEXANDER, Kay and DAY, Michael. Learning to Look and Create: the Spectra Program, Innovative Learning Publications, Addison-Wesley Pub. Group, Menlo Park, Cal., 1993.
ARMITAGE, Diane. Critical Reflections: Sandy Skoglund, "THE" Magazine, Santa Fe, New Mexico, vol II, no. 4,Oct. 1993.
CARROLL, Patty. American-made: The New Still Life. catalogue, flyer, and poster; show originated by Isetan Museum of Art, Hokkaido, Japan; pub. by Japan Art and Culture Association, 1993.
DEAL, Darcy. Sandy Skoglund: Interview, "Q" Magazine: A Journal of Art, pub. by Cornell University, Ithaca, N.Y., spring 1993, pp. 21-23.
DOLGOFF, Stephanie. Photography's Regeneration: the impact of Aids, American Photo magazine, Mar./Apr. 1993, p.22.
DULOUT, Stephanie. L'Art En France, Museart Magazine, no. 34, p. 103.
Editors. Les Installations Comestibles de Sandy Skoglund, Actuel Magazine, Paris, France, no.34, Oct. 1993.
Editors. Rainbow Menagerie, The American newspaper, London, England, no.429, Oct. 8, 1993, p.5.
Editors. Sandy Skoglund, Art de Vivre, Paris, France, Oct. 6, 1993.
Editors. Smart Cats, Art Review Magazine, London, England, Oct. 1993, p.9.
Editors. Sandy Skoglund, Arts Program, no.6, Paris, France, Oct. 1993.
Editors. Nouveau Selon Nouvel, Connaissance des Arts Magazine, Paris, France, Oct. 1993.
Editors. Community Arts Calendar: Sandy Skoglund at the U. of North Texas, The Dallas Morning News, Sunday, Feb. 14, 1993, p.2C.
Editors. Sandy Skoglund:The Green House, Ten Years At Diverse Works, newsletter pub. by Diverse Works, Houston, Texas, Jan.-Feb 1993.
Editors. Reviews, Downtown, Madrid, Spain, Oct./Nov. 1993.
Editors. Un E.S.C.P. Contemporain, ESCP Magazine, Paris, France, Nov. 1993.
Editors. Ze News, Galeries Magazine, Paris, France, Oct./Nov 1993, p.23.
Editors. Critics Choice, Isthmus: the Guide to Culture, Madison, Wisc., June 25, 1993.
Editors. A Bas de Bacon, Jardin des Modes, Paris, France, Oct. 1993.
Editors. Exposition, Joyce, Paris, France, Nov./Dec. 1993, p.46.
Editors. Inauguran la primera galeria mexicana de arte en Paris, Novedades, Mexico, June 30, 1993.
Editors. Inauguracion del Espace d'Art Yvonamour Palix, Paris/Mexico, Oct. 1993, p. 18.
Editors. Tetes d'Affiches, Paris Capitale, Oct. 1993.
Editors. Quoi de Neuf A Paris?, Paris Magazine, Sept. 1993, p.7.
Editors. Espace D'Art, P.P.S. News: Profession Photographe Studio News, Paris, France, no. 55, Oct. 1993.
Editors. A Breeze At Work: Sandy Skoglund, SECCA Quarterly Newsletter, vol.2, no.7, Spring 1993, cover and p.2.
Editors. Sandy Skoglund at Salama-Caro Gallery, Time Out Magazine, no. 1208, Oct. 13-20, 1993, p.49.
Editors. Paris En Parle, Vogue Magazine, French Edition, no.739, Sept. 1993.
Editors. Front Runners, What's On Magazine, London, England, Sept. 22, 1993, p. 5.
FUSCO, Tony. The Boston Scene, Art Business News, Aug. 1993, p.8.
GAESSLER, Dominique. Sandy Skoglund: des Bestioles et des Hommes, Photographies Magazine, Paris, France, no.53, Nov. 1993, pp. 28-31.
GODDARD, Dan. Skoglund Explores Fears of Middle Class, San Antonio Express News, San Antonio, Tex., Feb. 25, 1993, p.1J,5J.
JOHNSON, Patricia. Dogged Fun:Art Review, Houston Chronicle, Houston, Tex., Jan. 8, 1993, pp. 1E,8E.
KELLEY, Mike. The Uncanny, catalogue for exhibition pub. for Sonsbeek '93 by Gemeentemuseum, Arnheim, The Netherlands, p. 34.
KOLB, Gary. Photographing in the Studio, book pub. by William C. Brown & Benchmark, Dubuque, Iowa, p.51,150, 1993.
KWOCK-SILVE, Sandra. Art News: Art Storms the Bastille, Paris Free Voice, Paris, France, Dec. 93-Jan.'94, p. 10.
LAMBIRTH, Andrew. Stars, Stripes, & Satellites, Galleries Magazine, London, England, Sept. 1993, cover and p.20.
LEWIS, Richard and Susan. The Power of Art, textbook pub. by Harcourt Brace College Publishers,
Ft. Worth, Tex., 1993, ISBN # 0-15-502063-3.
LYNCH, Kevin. Eccentric Visions at the Madison Art Center, Arts:The Capital Times newspaper, Madison, Wisc.,Jul. 8, 1993, p.1F,6F.
McCLURE, Richard. Sandy Skoglund, What's On Magazine, London, England, Oct. 6-13, 1993, p.25.
ZMcQUAID, Cate. Close-Up:Sandy Skoglund, The Photographic Resource Center Newsletter, Boston, Mass.,vol. 17 No. 2, Mar. 1993.
McQUAID, Cate. Cheese It, The Boston Phoenix, April 9, 1993.
MITCHELL, Charles Dee. Opening the Shutters:Skoglund Challenges Photographic Traditions, Art Review:
The Dallas Morning News, Dallas, Tex. Feb. 18, 1993, p.C1,C2.
NORMAN, Tony. Cheese Doodle Art Packs A Satiric Bite, The Pittsburgh Post-Gazette, Nov. 10, 1993.
NURIDSANY, Michel. Un Peu de Soleil Dans L'eau Grise, Le Figaro, Paris, France, Sept. 14, 1993.
SCHWENDENWIEN, Jude. Sandy Skoglund: Interview, The Journal of Contemporary Art, vol.6, no.1,
summer 1993, pp. 87-98.
SHEARIN, Margaret. Skoglund's Art Captivates On More Than One Level, The Triad newspaper, Winston-Salem,No. Carolina, July 28, 1993, p.12.
SALTZ, KIRSHNER, HIXSON, and BURNS. VIVID, catalogue pub. by Federico Motta Editore, Milan, Italy, 1993.
STAPEN, Nancy. Fun With Bacon and Cheese Curls, The Boston Globe, Boston, Mass., Apr. 13, 1993, p.63.
STAPEN, Nancy. Safety in Numbers, Town and Country Magazine, N.Y., N.Y., June 1993.
STOLT, Veronica. Sandy Skoglund, Nordst Jernan newspaper (The Swedish News) N.Y., N.Y., June 17, 1993, p.3.
TYSON, Janet. Worlds Overrun by Animals and Food: Photography Review, The Fort Worth Star-Telegram, Tuesday, Feb. 23, 1993, p.8.
TURCAT, Rafael. Food Environments: Interview with Sandy Skoglund, Tecnikart magazine, Paris, France, no.11,Oct.-Nov. 1993, p.54.
WADE, Melissa. Arts & Entertainment: Artist Transforms NT's Gallery, The North Texas Daily, Wed., Feb. 10, 1993.
WILLIAMS, Kent. Brain Teasers:John Wilde and Sandy Skoglund, Visual Art:Isthmus:the Guide to Culture, Madison, Wisc., Jul. 9, 1993, p. 30.
1992
AFLALO, Agnes. Couverture:Sandy Skoglund, Fox Games, La Cause Freudienne, no. 22, Oct. 1992.
ALETTI, Vince. Voice Choices: Photo, The Village Voice, N.Y., N.Y., June 9, 1992, vol. xxxvii, no. 23, p.76.
AMMANN, Ludwig. Kreationen mit der Kamera, Badische Zeitung, Germany, June 19, 1992, no. 130, p. 15.
ANDION, Margarita Ledo. Dones Amb Camera, Avui, Spain, Apr. 15, 1992.
BADIA, Montse. La Realitat Amenacada, Avui Art: Primavera Fotografica 1992, Barcelona, Spain, Apr. 15,1992, p.5.
BALSELLS, David. Primavera Fotografica, Fundacio la Caixa de Catalunya, Department deCultura, Barcelona, Spain, 1992, pp. 40, 41.
BARRI, Pedro N. La Realidad de un Sueno, El Libro De La Sexualidad, Spain, p. 340-343.
BRANDENBURG, John. Chronicle of Photographer/Sculptor's Work Arresting, Art Review: The Daily Oklahoman,Oct. 16, 1992, p. 3.
BRO, Lu. Figure and Form, vol. I and vol. II, college textbook pub. by William C. Brown Publishers, Dubuque,
Iowa, 1992, p.48, ISBN# vol. I 0697-03059-8, vol. II 0697-13757-0.
BROWN, Theresa D. Have a Seat With 32 Multicolored Dogs, Art Review: The St. Petersburg Times, St. Petersburg, Fla., Jan. 16, 1992, pp.1,3.
BUENO, Pepa. A Traves de la Fotografia, Elle Magazine (Spanish edition), May 1992.
BUFILL, Juan. La Primavera Fotografica, ABC magazine, May 22, 1992. [reprinted in ABC de Sevilla]. Barcelona, Spain.
BUSSE, Xenia. Fotos, si!, El Temps, Barcelona, Spain, May 4, 1992.
CALDERON, Manuel. Criticos en Busca de la Nueva Imagen, El Guia, Barcelona, Spain, Apr.- May, 1992, pp.44-47.
CASAS, Enric. Contactar i Interferir la Realitat, Regio, Barcelona, Spain, May 17, 1992.
CHESS, Caron and WARTENBERG, Daniel. Risky Business:The Inexact Art of Hazard Assessment, The Sciences
Magazine, N.Y., N.Y., Mar./Apr. 1992. pp.20,21.
COLE, Elizabeth, Fantasy Environments: The Tableau Photography of Sandy Skoglund, School Arts Magazine,Jan. 1992, pp.23-26.
DAVIS, Zina. Investigations in Perception, pub. by Univ. of Hartford, Hartford School of Art, West Hartford, Conn. 1991
DEBRAINE, Luc. Convalescent, le Marche de l'Art Tente de Se Refaire une Sante a Bale, Le Nouveau Quotidien, Paris, France, June 20, 1992, p. 19.
DISTER, Alain. Au Pays des Merveilles de Sandy Skoglund, Le Nouvel Observateur magazine, Paris, France,June 4-10, 1992, p.I.
DULLEA, Georgia. Heel! Sit! Buy Some Art, The New York Times, Oct. 11, 1992, Styles of the Times section.
Editors. The Green House by Sandy Skoglund, Art Muse (Member's Newsletter, Tampa Museum of Art), Tampa, Florida, Dec./Jan. 1991-92, p.7.
Editors. Skoglund's Eerie World, Aspen Times, Aspen, Colo.,July 11 - 12, 1992, pp. 5B,7B, 26-B.
Editors. Europa y la Mujer, Ejes Tematicos de la Sexta Edicion de la Primavera Fotografica, Avui, Barcelona, Spain, Feb. 5, 1992.
Editors. Una Primavera de Foto, Biba, Barcelona, Spain, May 1992.
Editors. Invasion der Gipskatzen, Darmstadter Echo, Germany, Jan. 28, 1992.
Editors. Art in the Heart of the City (auction catalogue), Denver Art Museum, Denver, Colo., Feb. 1992.
Editors. Sandy Skoglund, Diari de Barcelona, Barcelona, Spain, May 30, 1992.
Editors. Sala Catalunya de la Fundacio La Caixa, El Observador,Barcelona, Spain, 11 May, 1992.
Editors.(C.S.) La Primavera Fotografica Reclama una Critica Especializada, El Pais newspaper, Madrid, Spain, Apr. 8, 1992.
Editors. Juan Hidalgo, Sandy Skoglund, Otho Lloyd, El Punto de las Artes, Barcelona, Spain, May 7, 1992.
Editors. Aus den Fugen: Sandy Skoglund's Installationen, Frankfurter Allgemeine Zeitung, Frankfurt, Germany, Jan. 29, 1992.
Editors. Sandy Skoglund, Frankfurter Rundschau, Frankfurt, Germany, Jan. 28, 1992.
Editors. Sandy Skoglund, brochure for exhibition at the Fred Jones Jr. Museum of Art, U. of Oklahoma, Norman, Oklahoma, Sept. 1992.
Editors. Sandy Skoglund, GAP DEUX Global Magazine for Women, # 32, Tokyo, Japan, Autumn, 1992, p. 32.
Editors. Sandy Skoglund at Diverse Works, The Houston Post, Houston, Tex., Dec. 13, 1992, p. H13.
Editors. Art 23'92 : Die International Kunstmesse, (exhibition catalog)In den Hallen der Messe Basel, Switzerland, 1992, p.12, pp.468-469.
Editors. Beard Greenhouse Features the Photographic Works of Sandy Skoglund, James Beard Foundation Newsletter, N.Y., N.Y., vol. 6 no. 11, Nov. 1992.
Editors.(J.O.) Sandy Skoglund, La Esfera, Barcelona, Spain, April 1992.
Editors. Sandy Skoglund at Sala Catalunya, Fundacio la Caixa, brochure for lecture, pub. by L'Institut d'Estudis Nord- americans, Barcelona, Spain, April 29, 1992.
Editors. Kunstmesse Ohne Ostlander, Luzerner Zeitung, Lucerne, Switzerland, June 19, 1992.
Editors.(m.k.) Radioaktive Katzen, Main-Echo, Germany, Jan. 20, 1992.
Editors. Skoglund's Two Art Shows Among 4 Opening at OU, The Norman Transcript, Norman, Okla.,Sept. 18, 1992, cover (Focus section), p. 6A.
Editors. Offbeat Photo Show Opens, The Norman Transcript, Norman, Okla.,Sept 25, 1992, p.26A.
Editors. Sandy Skoglund, Panorama Fundacio la Caixa, Barcelona, Spain, May 1992,p. 5.
Editors. Fliegende, Prinz, Germany, Feb. 1992
Editors. La Fotografia la Sang Altera, Punt Diari, Barcelona, Spain, Apr. 19,1992.
Editors. La Sala Catalunya Exposa l'Obra de Sandy Skoglund, Punt Diari, Barcelona, Spain, May 19, 1992.
Editors. Une Exposition Parmi d'Autres; Art 23: Sandy Skoglund a la galerie Zur Stockeregg, Schweizerische Photorundschau, Basel, Switzerland, July 1992, p.29.
Editors. Materiale Imaginario, Radioactive Cats, SFERA Magazine, Rome, Italy, #31, Dec., 1992.
Editors. Modri Psi (Album:Sandy Skoglund), Spolecensky Tydenik, Czechoslovakia, #37, 1992.
Editors. Fotografia, Vivir in Barcelona, Barcelona, Spain, May 1992.
Editors. Framed: The Best Picks for Pictures, Washington Flyer magazine, Wash. D.C., Mar./Apr. 1992, p. 24,25.
Editors. Ausstellungen-Messen, Zuri-Kalander, Zurich, Switzerland, June 12-18, 1992.
Editors. Compiled French press from solo exhibit at L'Espace Photographique de la Ville de Paris,June 10-Aug. 2, 1992.
BASTIN, Pierre. Installez-vous. Les fictions de la realite de Sandy Skoglund, La Wallonie, Media scope section,July 3, 1992.
DESSOLAS, Germain. Sandy Skoglund Photographies, Expositions, Maisons de France, Paris, France, # 214,Aug., 1992, p. 5.
Editors. Sandy Skoglund, Aladin Magazine, Paris, France, July-Aug., 1992.
Editors. Sandy Skoglund, Bon A Tirer, Paris, France, July-Aug., 1992.
Editors. Sandy Skoglund, Connaissance des Arts, Paris, France, June, July, Aug., 1992.
Editors. Sandy Skoglund, Graphic Studio Magazine, Paris, France, Sept., 1992.
Editors. Exposition Vraies-Fausses Photos, Humanite, Paris, France, # 117, Oct. 11, 1992, p.65.
Editors. Regards:Sandy Skoglund, Jardin des Modes, Paris, France, Aug., 1992.
Editors. Sandy Skoglund, Le Journal du Jeune Practicien, Paris, France, July 6, 1992, p. 15.
Editors. Sandy Skoglund, Le Monde, Paris, France, June 25,26,and July 2,3, 1992.
Editors. Photo:Une expo-photo pas comme les autres, Le Parisien, Paris, France, June 15, 1992.
Editors. Le bric-a-brac de Sandy Skoglund, Le Quotidien de Paris, Paris, France, June 25, 1992.
Editors. Exposition:Sandy Skoglund photographe americaine, Le Quotidien de Paris, Paris, France, July 17, 1992.
Editors. Roman Photo:Sandy Skoglund, Liberation, Paris, France, June 20, 1992.
Editors. Sandy Skoglund, Museart, Paris, France, June 1992.
Editors. Les Montages de Sandy Skoglund, Parcours Magazine, Paris, France, June 1992, p. 122.
Editors. Fliegende Fische, Pariser Luft Magazine, Germany, Feb./Mar. 1992, p. 14.
Editors. Sandy Skoglund, Paris le Journal, Paris, France, July 15, 1992.
Editors. Sandy Skoglund l'Annee Americaine, Photo/Magazine, Paris, France, June 1992.
Editors. Sandy Skoglund, Photo News, Paris, France, Aug. 1992, p. 20.
Editors. Sandy Skoglund, Photo Reporter, Paris, France, Sept., 1992.
Editors. Sandy Skoglund, Profession Photographe:News, Paris, France, Aug., 1992.
FRANCOIS, Alain-Henri. Paris report:Espace Photographique de la Ville de Paris:Sandy Skoglund, Voir:le Magazine des Arts, Paris, France, Sept., 1992.
GUERRIN, Michel. Photographie:L'Intrusion du fantastique:Retrospective d'un auteur inclassable: Sandy Skoglund,Le Monde, Paris, France, July 6, 1992.
ESTEVEZ, Isidre. Sandy Skoglund:L'Art ha de crear sempre una certa intranquil litat , Diari de Barcelona,
Barcelona, Spain, Apr. 28, 1992.
ESTEVEZ, Isidre. La Primavera Fotografica Floreix Durant Un Mes Per Tot Catalunya, Diari de Barcelona,
Barcelona, Spain, Apr. 22, 1992.
EYGUESIER, Jean-Luc. Requiem Pour un Viaduc, Le Figaro Defense, June 30,1992, p.8.
FABER-CASTELL, Christian. Kunst wird zum Kreditgeschaft, Finanz und Wirtschaft/Kunstmarkt,
Germany, June 24, 1992, p. 29.
FONTOVA, Rosario. Barcelona, Capital de la Fotografia Durante dos Meses, El Periodico, Barcelona, Spain, Apr. 20, 1992.
FONTOVA, Rosario. Sandy Skoglund Utiliza la Fotografia como Medio de Critica Social, El Periodico, Apr. 30, 1992.
FONTRODONA, Oscar. Sandy Skoglund: Mis personajes son visitantes temporales de su proprio mundo, ABC, Barcelona, Spain, Apr. 26,1992.
FRISACH, Montse. L'Artista Sandy Skoglund Presenta les seves Fotografies Inquietants a Barcelona, Avui, Barcelona,Spain, Apr. 28, 1992.
FRISACH, Montse. La Primavera Fotografica 1992 Vol Fomentar l'Interes dels Critics i Institucions, Avui, Barcelona, Spain, Mar. 1, 1992.
GERLIN, Andrea. Art Critics Won't Be Able to Say That These Works Are Below Par, The Wall Street Journal,N.Y., N.Y., June 23, 1992.
GILI, Marta. La Fotografia, un Important Mitja de Creacio Artistica i Alhora Documental, Panorama, Spain, Apr. 1992, p. 2.
GIMELSON, Deborah. The Green House, Aspen Magazine, Aspen, Colo., midsummer 1992, pp. 67-68, 99.
GRECO, Stephen. Putt-Modernism, Interview Magazine, N.Y., N.Y., Aug. 1992, p.16.
GREWING, Colleen. Photography Exhibits, Where/Washington, Wash., D. C., Mar. 1992, pp.8,9.
HAGEN, Charles. Art in Review:Sandy Skoglund, The New York Times, Oct. 23, 1992, p. C28.
HOROWITZ, Frederick A., More Than You See: A Guide to Art, book pub.by Harcourt Brace Jovanovich, Inc., Ft. Worth, Texas, 1992, p. 140.
HOMMEL, Bill. Art Reviews, The Oklahoma Gazette, Oct. 8, 1992, p. 23.
INDIANA, Gary. Home, Aperture, N.Y., N.Y., no. 127, Our Town, Spring 1992, p.57.
KALIL, Susie. Pop Goes the Country:Two Diverse Works Installations Reflect On America's Consumer-driven, Media-soaked Culture, The Houston Press, Houston, Texas, Dec. 31, 1992, p. 25.
KIHN, Martin. Modern Art Course, New York Magazine, N.Y., N.Y., Aug. 3, 1992, p. 23.
KOETZLE, Michael. Portrat Tierische Zeiten, German Vogue Magazine, Feb. 1992, pp.104-105.
KOETZLE, Michael. Invasion der Eichhornchen, Photo Technik International Magazine, Germany, Jan./Feb. 1992,pp. 18-25. reprinted as Invasion of the Squirrels, Photo Technique International English edition, Feb. 1992, pp. 44-51.
KOHEN, Helen L. Rooms With A View, The Miami Herald, Miami, Fla., Apr. 11, 1992, pp.1E,2E.
MARCO, Luis Miguel. Suenos Fosforescentes, El Periodico, Barcelona, Spain, Apr. 19, 1992, pp. 20-23.
MAUGARD, Alain and SAYAG, Alain. Arret sur viaduc, L'Espace Art Defense, Galerie Art 4, Paris la Defense, France; catalogue: 1992.
MICUCCI, Dana. N.Y.'s Photo Focus: Museums Confer Status as Art Form, International Herald Tribune, Apr. 25-26, 1992. p. 8.
MONREAL, Lluis. Introduction, Sandy Skoglund, Fundacio la Caixa, (catalogue), Barcelona, Spain, 1992, pp. 8-9.
MONTEROSSO, Jean-Luc. Interview, Camera International, American Edition, No. 12, Winter 1992.
NAGLE, Geraldine. The Arts:World Themes, college textbook pub. by Wm. C. Brown/Times-Mirror Publishers, Dubuque, Iowa, 1992, p.145,146,351,,ISBN #0697120481.
PICAZO, Gloria. Paradoxes of Photography-On the Work of Sandy Skoglund, Fundacio la Caixa catalogue, pp. 97-99. Reprinted in catalogue for show at L'Espace Photographique de la Ville de Paris, Paris Audiovisuel,Paris, France, 1992.
PICAZO, Gloria. Sandy Skoglund: Posar Trampes a la Realitat, Primavera Fotografica 1992,
Generalitat de Catalunya, Departament de Cultura, Spain, 1992, pp. 40-41, 178-179.
PINVOL, Theresa. Els Muntatges Fotografics de Sandy Skoglund, Diari de Barcelona, Barcelona, Spain, May 3, 1992, pp. 25-27.
PIWECKI, Kristina. Krasse Kontraste-einzig-Art-ig, Schweizer Handelszeitung, Basel, Switz., no. 25, June 18, 1992, p. 41.
PLANELLA, Merce. Calificara la Fotografia de Arte Democratico es una Solemne Tonteria, ABC, Barcelona, Spain, Mar. 7, 1992.
RAVEN, Arlene. In the Last Hour, catalogue for exhibition pub. by the Fred Jones Jr. Museum of Art, U. of Oklahoma, Norman, Oklahoma, 1992.
REMER, Abby and TISHMAN, Shari. The Thinking Teacher's Guide to the Visual Arts, by Learning Designs, A
Companion Guide for the PBS Series, Behind the Scenes, Sept. 1992.
RIBALTA, Jorge. Una Diferencia con Escasa Relevancia Aristica, La Vanguardia, Spain, Apr. 21, 1992.
RIGOL, Josep. Un Integrador Punto de Encuentro, La Vanguardia, Spain, Apr. 21, 1992.
ROEGIERS, Patrick. Color and Terror in the Monochrome World of Sandy Skoglund, Fundacio la Caixa catalogue, Barcelona, Spain, 1992, pp. 95,96.Reprinted in catalogue for show at L'Espace Photographique de la Ville de Paris, Paris Audiovisuel, Paris, France, 1992.
ROEGIERS, Patrick. Sandy Skoglund: du Syndrome de la Sucromanie, Art Press,Paris, France, July/Aug. 1992,no. 171, pp. 43-45.
ROEGIERS, Patrick. Un Autre Monde Avec Sandy Skoglund, Photographies Magazine, Paris, France, June 1992,pp. 30-34.
ROGERS, Millard F. A Selection of New Acquisitions 1990-92, Cincinnati Art Museum, Cincinnati, Ohio,catalogue published by the museum, August 1992.
ROSE, Matthew. Playing a Round in TriBeCa, The New York Times, N.Y., N.Y., July 26, 1992.
SAYAG, Alain. Arret Sur Viaduc, catalogue for exhibition pub. by Espace d'Art de La Defense, Paris, France, 1992.
SCHWENDENWIEN, Jude. Cravings:Food Into Sculpture, Sculpture Magazine, Nov.-Dec.1992, pp. 44-49.
SCHWENDENWIEN, Jude. Regional Reviews: Investigations In Photography: Sandy Skoglund and John Coplans,Art New England, June/July 1992, p. 36.
SISCHY, Ingrid. Photography: Food for Thought, The New Yorker Magazine, N.Y., N.Y., Oct. 19, 1992, p.22.
SKOGLUND, Sandy. Spirituality In The Flesh, A Project For Artforum, Artforum Magazine, Feb. 1992, pp. 72-73.
SMITH, Lisa. Skoglund, Gottlieb Shows Bring Unusual Art to Norman, The Oklahoma Gazette, Sept. 24, 1992, p. 23.
SMOKE, Joe. LACPS Seventh Annual Auction, catalogue for benefit auction at the Los Angeles Ctr. for Photographic Studies, cover and p. 27, 1992.
SPIEGEL, Olga. En los 'Gatos Radiactivos' hay un Elemento de Terror, Pero Tambien un ImpactoVisual, La Vanguardia, Barcelona, Spain, Apr. 28, 1992.
STUDER, Margaret. Art Market's Peak Days Are Over, but Basel Fair Colors a Brighter Picture, The Wall Street
Journal Europe, June 25, 1992, p.9.Reprinted as A New Breed of Art Lover Finds Bargains,
The Wall Street Journal, June 26, 1992, p. A7E.
TALLMER, Jerry. Jerry Plays Golf, The New York Post, Aug. 21, 1992, p. 32
UBERQUOI, Marie-Claire. Dues Postures Oposades per Afrontar l'Acte Fotografic, Primavera Fotografica, Barcelona, Spain, May 7, 1992.
VIDAL, Jaume. El Papel de la Critica, la Mujer y Europa, Temas de la Primavera Fotografica, El Observador, Barcelona, Spain, Mar. 9, 1992.
WALLACH, Amei. The Thinking Person's Link, N.Y. Newsday, N.Y., N.Y., July 31, 1992, p. 57.
WILSON, Jane. Skoglund Installations Meant To Jolt Us Out of Our Normalcy, The Aspen Times, July 18-19,1992, p. 10-B.
WOLFF, Thomas A. Heiter bis Nerving, Frankfurter Rundschau, Frankfurt, Germany, 1992.
1991
AREY, Norman and WOODHAM, Martha. Peach Buzz: Dog-Gone Art, The Atlanta Journal and Constitution, Feb. 10, 1991, P. B1.
BECKER, Michael. Wahn Im Wohnzimmes, Erlanger Nachrichten Tagblatt, Erlangen, Germany,Aug. 2, 1991, no. 177, p.21.
BUTTERFIELD, Jan and RUSH, Susan.The Art Collection of Pacific Enterprises, catalogue pub. by Pacific Enterprises Corporation, L. A.,Calif., 1991. pp.12, 39, 58, 94, 232-233.
CERRATO, Giuseppe. Von Galerie Zu Galerie, Schweizer Illustrierte, Switzerland, Dec. 1991, p.109.
COMBET, Nadine (in collaboration with Max-Henri de LARMINAT). Revelateur: Feuilles et Feuillages, Centre Georges Pompidou, Paris, France, May 1991.
DAVIS, Keith F. 1991 Acquistions: The Hallmark Photographic Collection, catalogue pub. by Hallmark, Inc.,
Kansas City, Missouri, cover and pp 5 and 9.
Editors. Sandy Skoglund, Abendzeitung/Nurnberg, Nuremburg, Germany, Aug. 10,11, 1991.
Editors. Sandy Skoglund: Messe in Scena Fotographiche, Agora, Barcelona, Spain, Nov. 27, 1991,no. 48, p. 48.
Editors. Art-Lexikon Zeitgenossischer Kunstler, Art: Das Kunstmagazin, Germany, Feb. 1991.
Editors. Fotografia American del Segle XX, catalogue for exhibit from collection of Center for Creative Photography,
Univ. of Arizona, Tucson, Arizona, pub. by Centre Cultural de la Fundacio la Caixa, Barcelona, Spain, pp.8,9.
Editors. Heath English Grade 10, textbook pub. by D.C.Heath and Co., Lexington, Mass., 1991, p. 275.
Editors. Sandy Skoglund:Erst Erlanger, dann Paris und Barcelona, Erlanger Nachrichten, Erlangen,Germany, Aug. 14, 1991.
Editors. Fotografie als Investment, Forbes Magazine (German edition), May 1991, pp. 8,116,117.
Editors. La Fotografia, un Instant Privilegiat, pub. by Fundacio la Caixa, Barcelona, Spain, 1991, p. 8.
Editors. McDougal, Littell English Composition Textbook, Grade 11, pub. by The Mazer Corporation, Dayton,Ohio, 1991, p. 599.
Editors. The Writer's Craft:Idea to Expression, Grade 12, textbook pub. by McDougal, Littell & Co., Evanston, Ill., 1991, p. 334.
Editors. Auslich Idyllen-mit Fuchsen Und, Mittelbayes Zeitung, Germany, Aug.16, 1991.
Editors. Sandy Skoglund, Nikkei Art Magazine, Dec. 1991, Japan, pp. 61-66.
Editors. Goldfische im Schlafzimmer, NZ/Erlanger, Erlangen, Germany, Aug. 8, 1991.
Editors. Photographers Named to Art School's Koopman Chair, University of Hartford Observer, May 16, 1991.
Editors. Verschroben-surreal, Zuri-tip, Zurich, Switzerland, Nov. 29, 1991. p.11.
FINDSEN, Owen. Artist Has Tale Behind Blue Squirrels, The Cincinnati Enquirer, Cincinnati, Ohio,June 9, 1991, pp. 1-7.
FISCHER, Karl Manfred. Sandy Skoglund, Die Union, Erlangen, Germany, Aug. 10,11, 1991.
FOERSTNER, Abigail. Skoglund Fills Complex Spaces with Detailed Fantasies, Chicago Tribune, Chicago, Ill.,April 26, 1991, Section 7, p.77.
FOX, Catherine. Grand Illusions, The Atlanta Journal and Constitution, Atlanta, Georgia, Feb. 17, 1991, p.Nl & NII.
GELOVER, Cheryl. Sandy Skoglund, brochure with text by Gelover for exhibit at the Temple Art Gallery, pub. byTyler School of Art, Philadelphia, Penn., 1991.
GETTY, Clive. Art Review: Gathering Paradise, Carl Solway Gallery, Cincinnati, Dialogue Magazine, Columbus,Ohio, Sept./Oct. 1991.
GLASBERG, Eve. Gallery Hopping in Manhattan, Travel & Leisure Magazine, N.Y., N.Y., July 1991, p.19.
GIOIA, Joe. On the Art Beat: Who to Collect, American Photo Magazine, May - June 1991.
GUISAN, Isabelle. Chambres Hantees, Le Nouvel Quotidien, Paris, France, Dec. 4, 1991.
HANDY, Ellen. Sandy Skoglund at P.P.O.W., Art in America, N.Y., N.Y., Nov. 1991.
HAUS, Mary. A Little Bit Normal, Mirabella Magazine, N.Y., N.Y., Sept. 1991, pp.64.
HEIMRATH, Gerhard. Nervenkitzel im Horror-Disneyland, Abenzeitung/Nurnberg, Nuremburg,Germany, Aug. 3,4, 1991.
HOBBS, Jack A. Art in Context, Fourth Edition, college textbook pub. by Harcourt Brace Jovanovich, Inc., SanDiego, Calif., 1991, figure 5-18.
HOWE, Jennifer. A Frozen Slice of Imagination, Kansas City Star, Kansas City, Missouri, July 15, 1991, pp.Dl, D6.
JONES, Richard(ed.). Sandy Skoglund Portfolio , Poetry East Magazine, DePaul Univ. Press, Chicago, Ill., no. 32,Fall 1991, pp. 67-79,171.
KIRSHENBLATT-GIMBLETT, Barbara. Who's Bad? Accounting for Taste, Artforum Magazine, N.Y., N.Y.,Nov. 1991, p.123.
KOEPPEL, Fredric. Broken Rules, The Appeal, Memphis, Tenn., Sept. 12, 1991, pp. C1-2.
LABELL, Paul. Art For Children's Survival, catalogue for UNICEF benefit auction pub. by Sotheby's, N.Y., N.Y.,1991.
MAJURE, Janet. Art Journal: Green House Startles with Images, Colors, The Kansas City Star, Kansas City,Missouri, June 16, 1991, p. H7.
MANDELL, Margery. Developing Art, Sphere, (Sabena In-Flight magazine) April 1991, pp. 30-36.
MASON, M.S. The Quick (Gray) Fox Jumped Over the..., Christian Science Monitor, June 10, 1991, Art section.
McCRACKEN, David. Art Reviews, Chicago Tribune, May 17, 1991, section 7, p.66.
McNALLY, Owen. Still-Life Patio Scene Invites Viewers to Test Perceptions, The Hartford Courant, Hartford, Conn.,Nov. 24, 1991, pp.Gl & G4.
MILLHAUSER, Steven. The Barnum Museum, japanese translation, Tuttle-Mon Agency, Inc.,Tokyo,Japan, 1990. (Cover).
PEARSON, Deanne. Green Dreams, Pitch, July 17-23, 1991, p.17.
RAVEN, Arlene. Flood Tide, The Village Voice, N.Y., N.Y., Sept. 24, 1991, p.9C.
RAYNOR, Vivien. Exhibitions Examine Human Anatomy and Human Folly, New York Times N.Y., N.Y.,Dec.15, 1991, Arts sec. p.30.
RICHARDSON, Nan. Sandy Skoglund: Wild at Heart, Art News Magazine, N.Y., N.Y., Apr. 1991, pp.115-119.
ROSEN, Steven. Contemporary Works Connect: Denver Art Museum Show Outspoken, The Denver Post, Denver,Colo., Apr. 26, 1991, pp. 1E,2E.
SCHUNK-ASSENMACHER, Dietlinde. Und das Unbehagen bleibt, Frankischer TAC Bamberg, Germany,Aug. 19, 1991.
SCHWAUB, Martin. Die Welt im Schaufenster: Zwei Wirklichkeiten, Tages-Anzeiger,Germany, Dec. 20, 1991.
SCIME, Guiliana. Lo Specchio/Infidele, catalogue for exhibition pub. by Padiglione d'Arte Contemporanea, Milan, Italy, March 1991, Cover and pp. 55-58.
TAKANO, Ikuro. Camera Freeze: New Wave Photography, Japan Avenue Magazine, Japan, Apr./May 1991,pp. 80, 81, 104.
TALLEY, Dan. Photo-nominal '91, catalogue for juried exhibition pub. by Forum Gallery, Jamestown, N.Y., 1991.
TALLMER, Jerry. Sweet Spell of Excess, N.Y. Post Weekend Section, N.Y., N.Y., Sept. 6, 1991.
WEINSTEIN, Michael. Sandy Skoglund, Chicago News and Art Weekly , May 16-22, 1991.
WESTERBECK, Colin. The Intuitive Eye: Photographs from the David C. and Sarajean Ruttenberg Collection, catalog pub.by The Art Institute of Chicago, Chicago, Illinois, 1991.
WISE, Kelly. Fantasies, Fables Kindles the Imagination, The Boston Globe, Boston, Mass., Mar. 23, 1991, p.14.
WOLIN, Joseph R. Sandy Skoglund:PPOW, New York, Artscribe Magazine, N.Y., N.Y., Nov./Dec. 1991, p.99.
YUAN, Angie. Photos of 'Fantasies, Fables, and Fabrications' Explores Style of '80's, Boston Daily News,Mar. 6, 1991, pp. 5,14.
1990
ARGINTEAU, Judy. Slices of Unreal Life: The Walker's Photography of Invention Exhibit, Twin Cities Reader, Minneapolis, Minn., July 4-10, 1990.
BARRETT, Nancy. Inspired Visions: 1840-1990, Master Photographs from the New Orleans Museum of Art, catalogue pub. by New Orleans Museum of Art, New Orleans,Louisiana, 1990.
CAMERON, Dan. In the Absence of Persuasion, essay in catalogue for exhibition 'To Be and Not To Be' pub. by Primavera Fotografica, Barcelona, Spain, 1990.
CARUSO, Laura. Foxes Provide Fables at Museum, Boulder Daily Camera, Boulder, Colo., June 10, 1990.
CYPHERS, Peggy. Reviews: Sandy Skoglund, Arts Magazine, N.Y., N.Y., Dec. 1990, p.99.
DICKINSON, Carol. Foxes Frolic in Artist's Exhibit, Rocky Mountain News, June 15, 1990, p.13-W,15-W.
DORSEY, John. Skoglund Deals With Issues of Both Form and Content, The Baltimore Sun, Baltimore, Md.,June 1990, pp.1F, 5F.
Editors. Subversion Visual, AJOBLANCO, Madrid, Spain, no. 21-22, Dec. 1989-Jan. 1990.
Editors. Denver: Fox Games, Colorado Homes and Lifestyles, Denver, Colo., May/June 1990, p.11.
Editors. Primavera Fotografica 1990, Cultura, Spain, April 24, 1990, p.1.
Editors. What's Happening, Denver Herald-Dispatch, Denver, Colo., June 14, 1990.
Editors. Sandy Skoglund , Denver Up The Creek, Denver, Colo., June 8, 1990, p.13.
Editors. Fox Games, The Denver Post, Denver, Colorado, June 1, 1990.
Editors. Saturday, June 2, Denver Westworld, Denver, Colo., May 30-June 5, 1990, p.37.
Editors. Skoglund Premiere at Denver Museum, Fort Collins Review, Ft. Collins, Colo., May 24, 1990.
Editors.Versand Katalog 2, catalogue for art books pub. by Frolich & Kaufmann, Berlin, Germany, cover, 1990.
Editors. Fox Games premieres, Greeley Tribune, Greeley, Colo., April 26, 1990.
Editors. Art in the Streets, Icon, Denver, Colo., June 1990, (cover).
Editors. Sandy Skoglund, Image Climate Forecast, Tokyo, Japan, summer 1990, no. 11.
Editors. Sandy Skoglund IS 49 Panoramic Magazine, Toyko, Japan, 1990.
Editors. Argomenti, L'Espresso Magazine, Italy, July 1990, p. 135.
Editors. Fox Games exhibit opens on June 2 in Denver Museum, Longmont Daily Times, Longmont, Colo.,May 6, 1990.
Editors. A Show of Support, The Los Angeles Times Sunday Magazine, L. A., Calif., Mar. 4, 1990, p.22.
Editors. Photography, The New Yorker Magazine, N.Y., N.Y., Sept. 17, 1990, p.20.
Editors. On Galleries, The Philadelphia Inquirer, Phila., Penn., Dec. 6, 1990, p. 4E.
Editors. La Primavera de Barcelone, Photographies Magazine, Paris, France, no.22, May 1990, p.71.
Editors. Listings: Denver Art Museum, Photo Metro, Denver, Colo., July 1990, p.30.
Editors. Fox Games by Sandy Skoglund, Poetry East Magazine, pub. by De Paul Univ. Press, Chicago, Ill., Spring 1990, no. 29, p.172.
Editors. Museums and Galleries, Quest, June 1990, pp.7-8.
Editors. Sandy Skoglund, Green House, Subaru Monthly, Japan, Nov. 1991, no. 11.
Editors. Reviews, compiled press from Walker Art Center, The Photography of Invention exhibition, June-Aug. 1990.
Editors. Reviews, compiled Japanese press from solo exhibit at PARCO Gallery, Tokyo, Japan, Aug. 3-22, 1990.
Editors. Sandy Skoglund, Asaiti Graph, Japan, Aug. 17, 1990.
Editors. Snap Shot, Commercial Photo, Japan, Sept. 1990, p.76.
Editors. Sandy Skoglund , Keko To Manabu, Japan, Sept. 1990, p. 8.
Editors. Sandy Skoglund, Moniave, Japan, Sept. 1990.
Editors. Sandy Skoglund , Olive, Japan, Aug. 18, 1990.
Editors. Sandy Skoglund, Salida, Japan, vol. 51, Aug. 10, 1990.
Editors. Reviews, compiled German press from traveling group exhibition, Das konstruierte Bild, 1989-1990.
BRODER, F.J. Eine Sperrige Schau, Donau-Kurier, Germany, Feb. 24-25, 1990.
BRODER, F.J. Objectives Objectiv?, Nordbaufrigche Tageszeitung, Germany, Feb. 27, 1990.
FENN, Walter. Montierte Wirklichkeit, NN, Germany, March 23, 1990.
WIESE, Klaus Martin. Schwindelanfall in Bilderflut, A. Zeitung, Germany, Feb. 23, 1990.
Editors. Reviews, compiled Spanish and Catalan press from group exhibit To Be and Not to Be at the Centre d'Arte, Barcelona, Spain, 1990.
BARTOLOME, Carlos. Primavera Fotografica: la Seduccion de la Imagen, Economics, Apr. 1990.
BENACH, M. Rosa. El Ser o No Ser de la Fotografia Actual, La Vanguardia, Barcelona, Spain, May 24, 1990.
BOSCH, Gloria . Que Es i Que No Es: To Be and Not To Be, ESPAIS-Papers d'Art, Barcelona, Spain, no.4, June 1990.
CARDENAL, A. Molinero. Primavera Fotografica 1990, Revista Marte, Barcelona, Spain, Apr. 1990.
Editors. Primavera Fotografica, ABC, Barcelona, Spain, Apr. 26, 1990.
Editors. Barcelona: Mas de Sesenta Exposiciones in la Primavera Fotografica, ABC Sevilla, Seville, Spain, May 1, 1990.
Editors. 60 Muestras Forman la Quinta Edicion de la Primavera Fotografica 1990, Aitoaragon, Barcelona, Spain,Apr. 24, 1990.
Editors. To Be And Not To Be: El Ser i No Ser de la Fotografica 1990, Art, Madrid, Spain, Apr. 25, 1990.
Editors. El Ser i No Ser de la Fotograficia, Avui, Barcelona, Spain, Apr. 24, 1990.
Editors. Mes de 60 Mostres a la Vedicio 'Primavera Fotografica 1990', Diari de Lleida, Barcelona, Spain, Apr. 24, 1990.
Editors 200 Artistas Participan en la Primavera Fotografica de Cataluna, El Pais, Madrid, Spain, Apr. 24, 1990.
Editors. Primavera Fotografica a Catalunya, El Temps, Spain, April 23, 1990, pp. 53-55.
Editors. Panorama, Foto Video, April 20, 1990.
Editors. La Fotografica en Relacion a las Demas Artes, La Fotografia, Barcelona, Spain, no. 11, 1990, p. 6.
Editors. Interaction..., La Primavera de Barcelona, Barcelona, Spain, no. 22, May 1990, p.71.
Editors. To Be and Not To Be, 17 artistas, Madrid Epoca, Madrid, Spain, no. 272, May 21, 1990.
Editors. To Be and Not To Be, Revista Art, Madrid, Spain, May 1990, p. 17.
Editors. Primavera Fotografica, Revista Fotograficia, Athens, Greece, May 1990.
Editors. Cataluna Aflora en Imagenes, Revista Visual, Barcelona, Spain, no.6, p.2-5.
FALCES, Manuel. Alterar la Realidad, El Pais, Madrid, Spain, Apr. 28, 1990, p.5.
FONTRODONA, Oscar. To Be and Not To Be; La Primavera Fotografica se Inaugura Con una Pregunta Sobre la Identidad, ABC Cataluna, Barcelona, Spain, Apr. 24, 1990.
IBARZ, Merce. De la Fotografia, La Vanguardia, Barcelona, Spain, May 1990, pp. 88,90.
OLIVARES, Rosa. Una Cuestion de Metodo, Entre El Y La Representacion, Barcelona, Spain, Sept. 1991, p. 28.
PERERA, Marga. Primavera Fotografica, El Independente, Madrid, Spain, June 4, 1990.
REDACCIO. Mes de 70 Mostres Componen 'la Primavera Fotografica del 1990', Avui Barcelona, Apr. 11,1990.
SEVDEL, Jorinde. To Be and Not to Be, Metropolism, Barcelona, Spain, Sept./Oct. 1990.
UBEQUOI, Marie-Claire. Els Millors de la Primavera Fotografica, Diaride Barcelona, Barcelona, May 13, 1990.
VILA-SAN-JUAN, Sergio. La Primavera Fotografica de 1990 Planteara la Relacion del Genero con las Artes Plasticas, La Vanguardia, Barcelona, Spain, Mar. 19, 1990, p. 25.
EDWARDS, Owen. Seen From Within, Savvy Woman Magazine, N.Y., N.Y., Jan.1990, pp. 68-71.
GRUNDBERG, Andy. Weekend Reviews:Sandy Skoglund, The Green House at Janet Borden,Inc., The New York Times, N.Y., N.Y., Sept. 14, 1990, p. C23.
HEIFERMAN, Marvin. The Indomitable Spirit, catalogue pub. by Photographers & Friends Against AIDS, 1990.
HOY, Anne H. Constructed Reality, catalogue for exhibit, pub. by N.J. Center for the Arts, Summit, New Jersey, April-May 1990.
HOWE, Peter. The World's Best Photographers 1980-1990, Life Magazine Collector's Edition, winter 1990,pp. 35,123.
HUSTED, Bill. City Lights, Rocky Mountain News, Denver, Colo., June 5, 1990.
JACOBSON, Sebby Wilson. The ARTS: The Grist Amid the Gales, The Times-Union, Rochester, N.Y.,Jan. 18, 1990.
LEVIN, Kim. Voice Choices, The Village Voice, N.Y., N.Y., Sept. 18, 1990, vol. xxxv, no. 38 p. 116.
MASPLE, Louis. Primavera 1990: Etre ou Ne Pas Etre, Photographies Magazine, Paris, France, no. 24, July 1990, p. 31.
McGEE, Patrick. Happenings, Darkroom Photography, July 1990, p.11.
MILLET, Bernard, and ROEGIERS, Patrick. D'un Art L'Autre, catalogue for Biennale de Marseilles, pub. by La Fondation Nationale de l'Art Contemporain (FNAC), Marseilles, France, 1990, pp. 142-145, and p. 150.
NEMETT, Barry. Uncommon Canines, Museum and Arts, Wash. D. C., May/June 1990.
O'DONNEL, Kim. Doggies In The Window, City Paper, Phila. Penn., Nov. 23-30, 1990.
PINTO, Roberto. To Be and Not To Be, Flash Art International Magazine, vol. 23, no. 157, 1990, p. 177.
RAYNOR, Vivien. The Indispensability of Surrealism, The New York Times, N. J. Edition,May 6, 1990, p. 26.
ROEGIERS, Patrick. Biennale Internationale de Marseille '90, catalogue pub. by the Museum of Art of Marseille, Marseille, France, 1990.
ROSEN, Steven. Bench Artists Take to the Streets, The Denver Post, Denver, Colo., June 1, 1990, pp. 7, 9.
ROSEN, Steven. Fox Games Message Strong and Bright, The Denver Post, Denver, Colo., June 2, 1990.
SCHMIDT, Christine. Verfuhrung durch erzahlte Bilder, Der Tag, Germany, May 10, 11,1990.
SISCHY, Ingrid. Goings On About Town: Photography, The New Yorker Magazine, N.Y., N.Y., Sept. 10, 1990, p.20.
SLADDEN, Mike. Gallery Talk by Sandy Skoglund, February 14, 1990, RF & PC Info Update pub. by EastmanHouse International Center of Photography, Rochester, N.Y., Mar.-Apr. 1990, pp.1-8.
SOZANSKI, Edward J. Reviews: Sandy Skoglund at the Temple Gallery, The Philadelphia Inquirer, Dec. 1990.
SULLIVAN, Constance. Women Photographers, book pub. by Harry N. Abrams, Inc., N.Y., N.Y., 1990, p.198.
TANAKA, Hiroko. Art Is Beautiful: Interviews with New York Artists, book pub. by Kawade Shobo Shinsha, Tokyo, Japan, Jan. 1990, pp. 161-164.
TOSHIYA, Ueno. Sandy Skoglund, Bijutsu Techo, Japan, Oct. 1990, vol. 42, no.629, pp.160-166.
ZALKIND, Simon. Visual Art, Icon, Denver, Colo., July 1990, p.6.
1989
ARTNER, Alan. Getting the Picture, Chicago Tribune, Chicago, Ill., Nov. 26, 1989, sec. 13, p.16.
BAYLISS, Sarah. Suburban Home Life: Tracking the American Dream, exhibition catalogue pub. by Whitney Museumof American Art; N.Y., N.Y., 1989.
BORDEN, Janet. Science Projects , exhibition catalogue pub. by Lafayette College, Easton, Penn. 1989.
BRADLEY, Jeff. Women Make Their Mark: Exhibit Focuses on Artistic Recognition, The Denver Post, July 21,1989, sec. F, pp. 1-F,6-F.
CARROLL, Charles Francis. Photo Explorations of the '80's, The Valley Advocate, Hartford, Conn.,Oct. 16, 1989, p.8.
CORNAND, Brigitte. Images, Actuel Magazine, Paris, France, Nov. 1989.
DATTENBERGER, Simone. Fuchse Uberfallen einen Fruhstucksraum, Munchner Merkur, Munich,Germany,Oct. 31,1989.
DISTER, Alain. Histoire de L'Oeil, Le Nouvel Observateur, Paris, France, Oct. 12, 1989, pp.170-171.
DORSEY, John. Through the Mind's Eye: Photos Show Created Realities, The Baltimore Sun, Baltimore, Md., Feb. 1989. p.1F.
DUSEIN, Gilles. Sandy Skoglund, Cliches Magazine, Paris, France, no. 58, pp. 24-30.
Editors. Exhibition Marks 150th Anniversary of Photography, The Alumnus, pub. by U. of Mass., Amherst, Mass., 1989.
Editors. Reviews:Photography of Invention, Contemporanea International Art Magazine, Milan, Italy, June 1989, vol. II, no.4, p.13.
Editors. On & Off the Wall, The Denver Art Museum Newsletter, pub. by Denver Art Museum, July/Aug. 1989, cover, p.2 & 5.
Editors. Genetique: le Congres de la Methode, Le Monde, Paris, France, Oct. 1, 1989.
Editors. Culture Guide: Sandy Skoglund et ses Objects Volants, Liberation, Paris, France, no. 2611, Oct.14,15,1989,p.37.
Editors. Konstruiert, Arrangiert und Inszeniert, Photographie Magazine, Germany, Oct. 1989.
Editors. Sandy Skoglund, Photographies Magazine, Paris, France, Oct. 1989.
Editors. Sandy Skoglund a Paris, Photo Reporter, Paris, France, nouvelle serie, no. 1, Fall 1989.
Editors. Walker Art Center, Print Collector's Newsletter, Mar.-Apr. 1988, p.23.
Editors. Artists of the 80's, selected works from the Maslow Collection, catalogue for exhibition at Sordoni Art Gallery, Wilkes College, Penn., Apr. 1989.
Editors. Fantasmagories, Telerama, Paris, France, no. 2078, Nov. 11-17, 1989.
Editors. A Breeze At Work, The Times Literary Supplement, London, England, Oct. 20, 1989.
FEITELSON, Ann. Photos and TV: Seeing and Believing, Amherst Bulletin, Amherst, Mass., Oct. 11, 1989, sec., 2,p.1.
GLIEWE, Gert. Irrgarten Der Lust In Bedrohter Natur, Abendzeitung Munchen, Munich, Germany, Nov. 6, 1989.
HAUS, Mary. Review: Sandy Skoglund, Art News Magazine, N.Y., N.Y., Feb. 1989, pp.135,136.
HIRSCH, Robert. Exploring Color Photography, book pub. by William C. Brown College Division, Dubuque, Iowa, 1989, p. 210.
HORNER, Carol. The Call of the Suburbs, The Philadelphia Inquirer, Phila., Penn., May 28, 1989,sec. F, p. 1-F, 8-F.
KOHLER, Michael. Das Konstruierte Bild (Constructed Photography) book/catalogue pub. by Editions Stemmle and Kunstverein Munchen,1989, pp. 59-81, and cover.
KOZLOFF, Max. Hapless Figures in an Artificial Storm, Artforum Magazine, N.Y., N.Y., Nov. 1989, pp.131-136.
LEMAGNY, Jean-Claude and SAYAG, Alain. L'Invention D'un Art, Simulacres et Fictions essay by Michel Nuredsany, exhibition catalogue pub. by Editions Centre Georges Pompidou, Paris, France, 1989.
MAXFIELD, David. Today's New Photoartists Make, Not Take Pictures, St. Louis Post-Dispatch, St. Louis, Missouri, June 25, 1989.
ORESMAN, Janice. Art of the '80's from the Collection of Chemical Bank, catalogue pub. by Montclair Art Museum, Montclair, N. J., Jan. 29-Apr. 9, 1989.
PERREAULT, John. Through a Glass Darkly, Artforum Magazine, N.Y., N.Y., Mar. 1989, p.108.
PLAGENS, Peter. Into the Fun House:150 years of photography, Newsweek Magazine, N.Y., N.Y.,Aug. 21,1989, pp. 52-57.
PURCHASE, Steve. Show of Works by Visiting Artists, Baltimore Evening Sun, Baltimore, Md., Feb. 9, 1989,p.C3.
REITTER, Barbel. Ironische Schein-Realitaten, Bayerische Staatszeitung, Germany, Nov. 24, 1989.
RICHARD, Paul. The Shifting Shutter of Photography, The Washington Post, Wash., D.C., April 28, 1989.
RICHARDSON, Trevor. Fantasies, Fables, and Fabrications: Photo-Works From the 1980's, exhibition catalogue pub.by the Univ. of Mass.,Amherst, Mass., 1989, p.9.
ROEGIERS, Patrick. Un Autre Monde, Le Monde, Paris, France, Nov. 25, 1989.
RUSSELL, John. In Connecticut...Reviews , New York Times, N.Y., N.Y., Aug. 4, 1989, p. C23.
SAYAG, Alain. De la Photographie comme un des Beaux-arts, Photo-Poche book published by the National Center of Photography of France, Paris, France, 1989, pp. 50-53.
SMITH, Joshua. The Photography of Invention, American Pictures of the 1980's, introduction by M.A. Foresta, book pub.by the Natl. Mus. of American Art (Smithsonian Inst.) and M.I.T. Press, Cambridge, Mass.Cover and pp.184,185.
SOZANSKI, Edward. Photography That Defies Traditions, The Philadelphia Inquirer, Phila.,Pa., July 13, 1989, p.3-E.
TULLY, Judd. Blasting Out of the Darkroom, Taxi Magazine, N.Y., N.Y., July 1989, p. 30.
WEBER, Bruce. Outfoxing the Viewer, Works in Progress section of the New York Times Sunday Magazine,Oct. 8, 1989, p. 94.
WILLIAMS, Arthur. Sculpture:Technique, Form, Content, textbook pub. by Davis Publications, Worcester, Mass.,p. 3 of color plate section, 1989.
1988
ARTNER, Alan G. Cross References, The Chicago Tribune, Chicago, Ill., Feb. 14, 1988, sec.13, p.14.
BASS, Ruth. Sandy Skoglund, Art Talk, The Voice of Art, Scottsdale, Arizona, Vol.VIII No. 2, Nov., 1988.
CAPORASO, Pat. Castelli Graphics 1969-1988, catalogue pub. by Castelli Graphics, N.Y., N.Y. 1988.
DeBELL, Jeff. Accessible Avant-Garde, Roanoke Times and World News, Nov. 5, 1988.
Editors. Snapped Up: Vintage to Vanguard, Art News Magazine, N.Y., N.Y., Nov. 1988, p. 149.
Editors. On the Cover, Icon, Boulder, Colo.,vol.1, no.8, Dec. 1988, cover and p.1.
Editors. Galleries, New York Magazine, N.Y., N.Y., Sept. 12, 1988, p. 70.
GRUNDBERG, Andy. A Revival of Interest in a World Gone Awry, The New York Times, N.Y., N.Y., Dec. 4,1988, p. 37.
HAUS, Mary Ellen. Exposed, New York Woman Magazine, N.Y., N.Y., Mar. 1988.
HANDY, Ellen. Sandy Skoglund, Arts Magazine, N.Y., N.Y., Dec. 1988, p. 83.
HEATH, Jennifer. Nature, Science, Technology Show Refreshes Briefly, Rocky Mountain News, Denver, Colo.,Dec. 1988, p. 16-W.
HOLG, Garrett. Cross References, The Chicago News-Sun, Chicago, Ill., March 3, 1988, p. 2.
HOLG, Garrett. Cross-References: Sculpture into Photography, The New Art Examiner, Chicago, Ill., Apr. 1988,p.52.
JELINEK, Elfriede. Wir sind lockvogel baby!, cover for novel pub. by Rowohit Taschenbuch Verlag,Germany, 1988.
JOHNSON, Ken. Art Review:Sandy Skoglund at Damon Brandt and Lorence-Monk, Art in America, N.Y.,N.Y., Dec.1988.
KAINDL, Kurt. Sandy Skoglund:Fay Gold Gallery, Art Papers, Atlanta, Georgia, vol. 12, no. 1, Jan/Feb. 1988.
LEVIN, Gail. Forecasts: Visions of Technology in Contemporary Painting and Sculpture, exhibition catalogue pub. by the Nerlino Gallery, Inc., N.Y.,1989.
MASTERS, Greg. Displacing Sensory Expectations: Interview with Sandy Skoglund, Cover Magazine, Sept. 1988, p. 14.
MAATJES, Door Hennie. Schilderen mit de Camera, Nieuwe Revu Magazine, Amsterdam, The Netherlands, Jan. 14-21 issue, 1988, pp. 38-39.
MUELLER, C. Details Magazine, May 1988, p. 81.
PREBLE, Sarah and Duane. Art Forms, book pub. by Harper & Row, N.Y., N.Y., 1988, p. 449.
RAWLINGS, Irene M. K. Photographer's Lecture..., The Denver Post, Nov. 2, 1988, p.2c.
REEVE, Catharine. Photography: Inner and Outer Explorations of the Medium, The Chicago Tribune, Chicago, Ill.,Jan. 15, 1988, p. 72.
REEVE, Catharine. Using Sculpture to Pose Some Photographic Questions, The Chicago Tribune, Chicago, Ill.,Jan. 29, 1988, p. 7.
SHERMAN, Mary. At MCA,Sculptors Affirm Reality With Photographs, Chicago Sun-Times, Chicago, Ill.,March 3, 1988, p. 4.
SUZUKI, Gyoh. 8 Visions: Works by 8 Contemporary American Women, exhibition catalogue pub. by PARCO Corporation, Tokyo,Japan, 1988.
TANAKA, Hiroko. Sandy Skoglund, Hi Fashion Magazine, Tokyo, Japan, Dec. 1988, no. 176.
TULLY, Judd. Off the Wall, Taxi Magazine, N.Y., N.Y., Oct, 1988, p.120. Article reprinted in Eastern Review
Magazine, pub. by Eastern Airlines, Nov. 1988.
VISANI, Virginia. Sognando S'Impara, Anna bella Magazine, Milan, Italy. Apr. 1988, p. 3, pp. 56-62.
WEINSTEIN, Ann. Skoglund Always Pushes Photography To Limit, Roanoke Times & World News, Oct. 30, 1988.
YAU, John. Review:Sandy Skoglund at Damon Brandt Gallery and Lorence-Monk Gallery, Artforum Magazine,N.Y., N.Y., Nov. 1988.
1987
CURTISS, Deborah. Introduction to Visual Literacy, book pub. by Prentice-Hall, Inc., Englewood Cliffs, N.J.,1987, p. 207.
DANIELS, Demetra. New Things In the New Year, Downtown Magazine, N.Y., N.Y., no. 36, Feb. 4, 1987, p.15-A.
DORSEY, John. The Confusion of Illusion in Photography, The Baltimore Sun, Baltimore, Md., Feb. 10, 1987.
DURAND, Regis. Les Catastrophes Paradoxales de Sandy Skoglund, Art Press 110, Paris, France, Jan. 1987.
Editors. Denison to Feature Skoglund Artwork, The Advocate Entertainer, Newark, Ohio, Feb.12, 1987.
Editors. Album: Sandy Skoglund, Arts Magazine, N.Y., N.Y., Jan. 1987.
Editors. Details Magazine, N.Y., N.Y., April 1987, p.D.
Editors. Camera at Work: Sandy Skoglund, Life Magazine, N.Y., N.Y., Oct. 1987.
Editors. Wilshire Center, The Los Angeles Times, L.A., Calif., Aug. 21, 1987.
Editors. Sandy Skoglund, Marie Claire Japan Magazine, Tokyo, Japan, No. 57, 1987, pp. 102-105.
Editors. News of the Print World: People and Places, The Print Collectors Newsletter, July-Aug. 1987, p. 96.
Editors. Sandy Skoglund:Dye Transfer Prints, brochure pub. by Real Art Ways, Hartford, Conn., Sept. 1987.
Editors. Journal Foto & Film, Stern Magazine, Germany, 1987, p. 183.
Editors. Cross-Reverences:Sculpture into Photography, newsletter pub. by Walker Art Center, Sept. 1987,
FELDMAN, Edmund Burke. Varieties of Visual Experience, Third Edition, book pub. by Harry N. Abrams, Inc., N.Y., N.Y., 1987, p. 415.
GAINSLEY, Bonnie. Sculptures say Cheese, Minneapolis-St. Paul, Minneapolis, Minnesota, Sept. 1987, p.74.
GAUS, Kathleen McCarthy and GRUNDBERG, Andy. Photography and Art: Interactions since 1946, book pub. by Abbeville Press, N.Y., N.Y., 1987, pp. 13,180,182,194.
GOLDWATER, WEINBERG, and ARMSTRONG. Cross-References:Sculpture into Photography, catalogue for exhibition pub. by Walker Art Center, Minneapolis, Minn., 1987.
HAGEN, Charles. Reviews-Sandy Skoglund; Sharpe Gallery, Castelli Uptown, Artforum Magazine, N.Y., N.Y., April 1987, pp.127,128.
HARRIS Patty. Sandy Skoglund, 108 An East Village Review, N.Y., N.Y., Jan. 1987, p.10.
HOY, Anne H. Fabrications: Staged, Altered, and Appropriated Photographs, book pub. by Abbeville Press, N.Y., N.Y., 1987.
LEVIN, Kim. Village Voice Centerfold, The Village Voice, N.Y., N.Y., Feb. 3, 1987.
MARTIN, Mary Abbe. Critic's Choice, Minneapolis Star Tribune, Minneapolis, Minn., Sept. 18, 1987.
MARTIN, Mary Abbe. Exhibit's Photos Lie-but Artfully, Minneapolis Star Tribune, Minneapolis, Minn., Sept. 27, 1987, pp. 1G and 9G.
McCULLOUGH. Cross References: Sculpture into Photography, Twin Cities Reader, Minneapolis, Minn., Sept. 1987.
McKENZIE, Barbara. Art Review: Skoglund's Photographs Capture the True Fiction in Modern Life, The Atlanta Journal-Constitution, Atlanta, Georgia, Oct. 18, 1987.
RUGGIERO, Laurence. This Is Not A Photograph: Twenty Years of Large Scale Photography, 1966-86, exhibitioncatalogue pub. by The Ringling Museum of Art, Sarasota, Fla.,1987, p. 18.
SCHWABSKY, Barry. Reviews of Exhibitions: New York, Flash Art International Magazine,no. 133, April 1987, p.90.
SKYMER. Rooms With A View, City Pages, Minneapolis, Minn., Sept. 1987, p.28.
TALLMER, Jerry. Mini Art in a Maxi Way, City Weekend Section, New York Post, N.Y., N.Y., Jan. 9, 1987,p.19.
TULLY, Judd. Reviews of Exhibitions: New York, The New Art Examiner, Chicago, Ill., May 1987, p. 57.
1986
Editors. Maybe Babies, Gallerie Leo Castelli, N.Y., Actuel Magazine, Paris, France, no. 85, pp. 24, 44.
Editors. Light Impressions Review #17, published by Light Impressions Corp., Rochester, N.Y.,winter 1986,cover.
Editors. Images Fabriquees, catalogue pub. by Musee d'Art Contemporain de Montreal, Montreal,Canada, 1986.
Editors. Skoglund, The Month of Photography in Paris, Photo Magazine, Paris, France, No.230, Nov.1986, pp.114-117.
Editors. Sotheby's Catalogue, Sotheby's Auction House, N.Y., N.Y., catalogue for Nov.10,1986,cover.
HEITING, Manfred. 50 Years of Modern Color Photography, pub. by Messe und Ausstellungs, Cologne, Germany, pp. 289, 346.
LACOUE-LABARTHE, Phillippe, MEATYARD, Christopher and ROEGIERS, Patrick. Theatre des Realities, pub. by Metz Pour la Photographie Foundation, Metz-Marly, France, March 1986, pp. 36-38.
STEIN, Harvey. Artists Observed, book pub. by Harry N. Abrams, Inc., N.Y., N.Y. 1986.
1985
CURTISS, Deborah. Introduction to Visual Literacy, book pub. by Prentice-Hall, Inc., N.Y., N.Y., 1985.
Editors. Sandy Skoglund, Bijutsu Techo, Japan, April 1985, pp. 42,43.
Editors. Today's American Works, Photo Japon, Tokyo, Japan, No. 16, Feb. 1985, pp. 44-47.
Editors. New Talent/New York, exhibition catalogue pub. by Sioux Art Center, Sioux City, Iowa, 1985,pp.15,16,72,73.
GRANT, Daniel. Photography's New Esthetic, The Appeal, Memphis, Tenn., Apr. 21, 1985, p. J1.
RICE, Shelley. Photographic Installations, San Francisco Camerawork, vol. 12, no. 1, Spring 1984, pp. 4,5.
1984
DINES, Elaine. Anxious Interiors, exhibition catalogue pub. by Laguna Beach Museum of Art, Laguna Beach, Calif., 1984, p. 18, 26, 70.
Editors. Visions of Childhood: A Contemporary Iconography, exhibition catalogue pub. by Whitney Museum of American Art, 1984.
FELSHIN, Nina. Disarming Images: Art for Nuclear Disarmanent, exhibition catalogue pub. by Adama Books,1983,p.19.
KAJIWARA,Takao. Nippon Camera, April 1983.
NAEF, Weston. New Trends, The Gallery of World Photography, book pub. by Dai Nippon Pub. Co. , N.Y., N.Y.,1984.
RAYNOR, Vivian. New Drawings by Castelli Artists, New York Times, N.Y., N.Y., Nov. 2, 1984.
ROBINS, Corrine. The Pluralist Era, book pub. by Harper & Row, N.Y., N.Y., 1984, pp. 222-224.
ROSE, Barbara. The Threat of a Nuclear Holocaust Galvanizes Artists to Warn Us of Our Potential Annihilation, Vogue Magazine, N.Y., N.Y., July, 1983.
1983
EDWARDS, Owen. Maybe Babies, Sandy Skoglund's Toys in Babeland, American Photographer Magazine, Aug. 1983, pp.59-61.
FILLER, Martin. Living Color, Ambassador Magazine, special edition in French, 1983, pp. 42-53.
GLUECK, Grace. Art That Comments on the Fate of the Earth, The New York Times, N.Y., N.Y., March 13, 1983.
GRALNIK, Herbert. Maybe Surrealism, St. Louis Magazine, St. Louis, Missouri, Nov. 1983, p.34.
GRUNDBERG, Andy and SQUIERS, Carol. Family Fables, Modern Photography Magazine, N.Y., N.Y., June 1983, vol. 47, no. 6, pp. 78-83.
HAGEN, Charles. Reviews, Artforum Magazine, N.Y., N.Y., vol. XXI, no. 9, May 1983, p. 95.
JENSEN, Eileen. New Trends in Photography Examined, Arts Insight, Terre Haute, Indiana, vol. 5, no. 6, Oct. 1983.
JOHNSON, Chris, and HEDGEPETH, Ted. Interview With Sandy Skoglund, San Francisco Camerawork Quarterly Magazine, vol.10,no.3,Autumn 1983. pp.4,5,10.
LARRAIN, Christine. Sandy Skoglund, Zoom Magazine, Paris, France, pp. 42-53, 1983.
MERRITT, Robert. Sculpture Now Unsettling, Richmond Times Dispatch, Richmond, Virginia, Oct. 14, 1983.
RUBIN, Michael G. Skoglund's 'Babies': an elusively abnormal fantasy, St. Louis Globe-Democrat, St. Louis, Missouri, Nov. 19-20, 1983, p. 6C.
STEINBROK, Sarah. Printed by Women, Philadelphia Photo Review, Philadelphia, Penn., vol. 7, no. 3, Fall 1983, pp. 2-4.
1982
CALDWELL, John. A Closeup On Current Photography, New York Times, N.Y., N.Y. May 9, 1982.
DEGENER, Patricia. Reviews: Midwest, Sandy Skoglund at Greenberg Gallery, The New Art Examiner, Chicago, Ill., Feb. 1982.
Editors. Special on Photography, Geo Magazine, German edition, 1982, no. 32.
HANSON, Bernard. A Plunge Into the Surreal, The Hartford Courant, Hartford, Conn., May 23, 1982.
LARRAIN, Christine. Sandy Skoglund, Zoom Magazine, #T2931, 1982, pp. 42-52.
MILLER-KELLER, Andrea. Matrix 71: Sandy Skoglund, exhibition brochure pub. by The Wadsworth Atheneum,Hartford, Conn., April, 1982.
SOBIESZEK, Robert A. Color As Form, A History of Color Photography, catalogue for exhibition pub. by Int'l. Museum of Photography at George Eastman House, Rochester, N.Y., 1982.
1981
BRITTAN, David. Who's New? USA: Sandy Skoglund, Amateur Photographer, London, England, July 4. 1981.
CALDWELL, John. Modernism in Morristown, The New York Times, N.J. Edition, Aug. 30, 1981.
CRANE, Jeannette. Photography Show Provides Lively Exhibit, St. Petersburg Independent, St. Petersburg, Fla., Dec. 24, 1981.
DAVIS, Douglas. Worlds of Color, A Call to the Colors, Newsweek Magazine, N.Y., N.Y., Nov. 23, 1981, vol.XCVIII no. 21, pp.115-116.
DiGRAPPA, Carol. Close Quarters, Camera Arts Magazine, N.Y., N.Y., vol. 1, no. 3, May-June 1981, Reprinted in Fotografi Magazine, no. 11, Nov. 1981.
EAUCLAIRE, Sally. The New Color Photography, book pub. by Abbeville Press, N.Y., N.Y., 1981, pp. 239-242and plate no. 166.
Editors. Challenging Traditions: Into the Third Dimension, The Art of Photography, revised edition, 1981, Life Library of Photography, p.165.
Editors. In Search of Real Fiction, Pick of the Week, London Sunday Times Magazine, London, Eng., Sept.20,1981.
Editors. Color Now, Modern Photography Magazine, N.Y., N.Y., July 1981, vol. 45, no.7, pp. 80-154.
FREUDENHEIM, Susan. Focus: Sandy Skoglund, exhibition brochure pub. by The Fort Worth Art Museum, Sept.1981.
GRUNDBERG, Andy, Fish on a Line, The Soho News, N.Y., N.Y., Jan. 13, 1981. p. 35.
JOHNSON, Patricia. While Not A Photography Show, Exhibit Uses Medium As Art Form, The Houston Chronicle, Houston, Texas, July 9, 1981.
KALIL, Susie. New York Storytellers: Ambiguities and Obfuscations, Artweek Magazine, Aug. 1, 1981, vol. 12, no. 25, pp.1, 20.
KING, Mary. Windows Into a Surreal World, St. Louis Post-Dispatch, St. Louis, Missouri, Nov. 6, 1981.
KUTNER, Janet. What The Camera Records Didn't Happen Naturally, Dallas Morning News, Oct. 7. 1981.
MASON, Robert G. Trends: Pictures That Tell the Truth By Making It Up, Photography Year 1981, pub.by Time-Life, Inc., pp.16-17, and cover.
RATCLIFF, CARTER. Tableau Photography: From Mayall to Rodan, Its Roots and Reason, Picture Magazine, L.A., Calif., p. 42.
RICE, Shelley. Reviews, Artforum Magazine, N.Y., N.Y., March 1981, p. 88.
SALWAY, Kate. New American Color Photography, The British Journal of Photography, London, England,Nov. 18, 1981, p. 183.
TALLMER, Jerry. The Goldfish are on the Move, The New York Post, N.Y., N.Y., Jan. 17,1981.
THORNTON, Gene. Photography Review: A Mixed Bag of Exhibitions, The New York Times, N.Y., N.Y.,Jan,18,1981.
TREBAY, Guy. The Fish Knows the Way, The Village Voice, N.Y., N.Y., Jan. 7, 1981, p.51.
TULLY, Judd. Reviews of Exhibitions: New York, Flash Art International Magazine, no. 103, summer 1981, p. 55.
WINOKUR, Ken. Shows: Contemporary Photographs, Views, winter 1981, p